For France, the trauma of the Algerian War (1954-1962) was not unlike the experience of the Vietnam War for the United States. But, unlike the conflict in Vietnam, few photographic documents exist from that period in Algeria: it is as if the French responded with collective amnesia. Marc Garanger’s Algerian Women is one of the few photographic essays dedicated to that painful period... Photo: A 1960 photograph of an Algerian woman in a French regroupment village. (Photo by Marc Garanger)

A worker looks at an old soviet tank T-34 (L) as he fixes military vehicle (R) at a Phaeton museum in Zaporizhia, Ukraine, August 11, 2015. The museum stopped the restoration works of their collection of about 120 retro autos and motorcycles to help the Ukrainian army to restore military vehicles and equipment which will be used in the conflict in Ukraine eastern regions. (Photo by Gleb Garanich/Reuters)

A woman sweeps an alleyway adorned with murals painted by artists from “Delhi Street Art” group at the Raghubir Nagar slum in New Delhi on December 2, 2019. A New Delhi slum has been given a colourful makeover thanks to a street artist collective, drawing art lovers and selfie-snappers to a rundown area that they would never normally visit. (Photo by Sajjad Hussain/AFP Photo)

Mohamed Badr al-Din (R) stands in front of his vintage cars along a street where he keeps them, in the al-Shaar neighborhood of Aleppo January 31, 2015. The 66-year-old collector nicknamed Abu Omar inherited the hobby from his father and has a large collection of vintage cars, some of which he says belonged to former Syrian officials and were used in several movies and shows. Before the unrest, Abu Omar planned to open a museum to display his cars, which are guarded from pedestrians by a turkey that he owns. He hopes that the turmoil in the country will end so that he can pursue his hobby and repair his cars, which are heavily damaged from shelling. (Photo by Abdalrhman Ismail/Reuters)

A waste picker unloads garbage at a waste transfer station in Bamako, Mali, August 19, 2018. In the Malian capital of Bamako, donkey carts driven by young men like 19-year-old Arouna Diabate play a vital role battling the fast-growing city's waste problem. Every morning before dawn, Diabate hitches his donkey to a cart and sets off on his rounds, going door-to-door to collect household garbage which he delivers to a local waste transfer station for a monthly salary of around $35. “I won't be picking up trash with a donkey cart for the rest of my life, but for now people appreciate us because we help clean up the homes of Bamako”, Diabate said. (Photo by Luc Gnago/Reuters)

Hundreds of houses painted in bright colors in what organizers claim is Mexico's largest mural, is part of a government-sponsored project is called Pachuca Paints Itself, in the Palmitas neighborhood, in Pachuca, Mexico, Thursday, July 30, 2015. German Crew is the artist collective responsible for painting the mural project. Director Enrique Gomez, who goes by MYBE, said the crew has painted 1,500 square meters with 20,000 liters of paint. Working hand-in-hand with residents, muralists have painted the facades of 200 homes bright lavender, lime green, incandescent orange – hues more commonly found in a bag of Skittles than in the drab, cement-and-cinderblock neighborhoods where many of Mexico's poor live. The project aims to bring the community together and rehabilitate the area. (Photo by Sofia Jaramillo/AP Photo)