Alex Sun, left, Peter Simplicio and Matt Connelly jump through a hole in the ice into Lake Andrews on the Bates College campus, Friday, February 9, 2024, in Lewiston, Maine. The annual Bates College Puddle jump started 50 years ago as a Winter Carnival tradition. (Photo by Andree Kehn/AP Photo)

A supporter of presidential candidate and former chairman of the NATO Military Committee and Czech Army General Petr Pavel hands out leaflets, ahead of a direct presidential election that will start on January 13, in Prague, Czech Republic on January 5, 2023. (Photo by David W. Cerny/Reuters)

A giant devil figure burns during the annual celebration of the “Burning of the Devil”, a festivity associated with the Feast of the Immaculate Conception that honours the city's patron saint and marks the start of the Christmas season, at Colonia Arrivillaga in Guatemala City, Guatemala on December 7, 2024. (Photo by Cristina Chiquin/Reuters)

Kyle Walker of AC Milan sprays water from his mouth prior to the start of the second half of the Coppa Italia match at Giuseppe Meazza, Milan on February 5, 2025. (Photo by Jonathan Moscrop/Sportimage/Alamy Live News)

Created by artist and unassuming local celebrity, Keith Jennings, the first tree spirit arrived on St. Simons Island in 1982. The old story goes that Keith negotiated his way out of a bar tab, hence, a tree priestess was born behind Murphy’s Tavern, on a blurry Saturday morning. In his own words, however, Keith states that his first tree spirit was created in the back yard of a place called, “The Animal Farm”. Either way, Keith Jennings has been known to cut the rug around here, no matter how you slice it.

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Talented French artist, Pierre Beteille, is skillful in manipulation of portraits (specially his own self portraits) using Photoshop. This is how he describes himself: “I am not a photographer or an artist, I just make images… I shoot very average or even bad photos that I try to improve thanks to Photoshop”…

Photo: “En attendant d'avoir des balles”...., 2007 (Photo by Pierre Beteille)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.