Dancers perform at a Carnival parade in Les Cayes, Haiti, Tuesday, February 28, 2017. Haiti's three-day Carnival festivities have brought rum-fueled parties, imaginative costumes and high-energy dance music to a southern city that's still recovering from last year's punishing Hurricane Matthew. (Photo by Dieu Nalio Chery/AP Photo)

A students with her face smeared in coloured powder, celebrates Holi at a university campus in Chandigarh, India March 23, 2016. (Photo by Ajay Verma/Reuters)

A gallery assistant poses for a photograph with an artwork entitled “John Perreault, 1972” by US artist Alice Neel during a press preview of “Alice Neel: Hot Off The Griddle” at the Barbican Art Gallery in London on February 15, 2023. (Photo by Justin Tallis/AFP Photo)

Artist Leiomy performs at the Sissy Ball in Sydney, Australia on February 24, 2018. The Sissy Ball is a celebration of voguing – a style of modern dance, a form of self-expression, and a powerful movement that has become a representation for the sociopolitical struggles of the LGBTQI+ community. (Photo by Ken Leanfore/Red Bull Music)

A schoolgirl is soaked with water thrown by an elephant in a preview of the upcoming Songkran Festival celebration, the Thai traditional New Year, also known as the water festival in the ancient world heritage city of Ayutthaya, Thailand, 11 April 2016. The annual elephant Songkran is held to promote the tourism industry prior the three-day Songkran Festival which starts on 13-15 April annually and is celebrated with splashing water and putting powder on each others faces as a symbolic sign of cleansing and washing away the sins from the old year. (Photo by Diego Azubel/EPA)

As an airliner prepares to land, a bird takes off at the Gravelly Point park near Reagan National Airport in Arlington, Va. on December 23, 2018. (Photo by Michael S. Williamson/The Washington Post)

British sculptor Laurence Edwards' striking bronze figures, Walking Men, at Blenheim Palace in Oxfordshire, UK on April 9, 2024. The 8ft tall figures are seen to be anti-heroic and seem to have come from the earth itself. Branches, leaves and clods of clay are woven through them, making it unclear where human and ground begin and end. (Photo by Pete Seaward/South West News Service)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)