Inês Carvalho (C), accompanied by her sister and cousin, is helped by her aunt to dress up at Alfama neighborhood in Lisbon on June 12, 2014. Carvalho, 18, is one of the revelers from the Alfama march and every Saint Anthony's day, Lisbon's protector, she parades with several other typical neighborhoods of the city. (Photo by Patricia De Melo Moreira/AFP Photo)

The first four finalists are selected during the 66th Miss Universe pageant at Planet Hollywood hotel-casino in Las Vegas, Nevada on November 26, 2017. (Photo by Steve Marcus/Reuters)

Former NBA player Yao Ming (R), a member of the 12th Chinese People's Political Consultative Conference (CPPCC) National Committee, is seen during an interview in Beijing, China, in this picture taken March 9, 2016. (Photo by Reuters/China Daily)

People attend in costume the 2022 New York Comic Con, at the Jacob Javits Convention Center in Manhattan in New York City, New York, U.S., October 6, 2022. (Photo by Brendan McDermid/Reuters)

Canada's Charity Williams, left, is tackled by United States' Alex Sedrick, center, and Naya Tapper during a Vancouver Sevens women's rugby match Saturday, February 24, 2024, in Vancouver, British Columbia. (Photo by Ethan Cairns/The Canadian Press via AP Photo)

Leicester City hostesses take pictures in front of a billboard as people gather to watch the team's English Premier League soccer match against Everton on a big screen, in Bangkok, Thailand, May 7, 2016. (Photo by Jorge Silva/Reuters)

An Egyptian Coptic Christian girl carries palm decoration during Palm Sunday inside a church in Old Cairo, Egypt, April 5, 2015. For Christians worldwide, Palm Sunday marks Jesus Christ's entrance into Jerusalem, when his followers laid palm branches in his path, prior to his crucifixion. Western Christian churches and most Orthodox Christian churches follow different calendars and observe Easter on different dates. (Photo by Asmaa Waguih/Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)