Anilson Costa, reveller of the annual block party “Ceu na Terra”, walks along the Santa Teresa neighborhood where the block party used to be celebrated, as Carnival celebrations have been canceled, amid the coronavirus disease (COVID-19) pandemic, in Rio de Janeiro, Brazil on February 12, 2021. (Photo by Pilar Olivares/Reuters)

Participants with the word “Harta” on their bodies, link arms as they mark International Women's Day at Avenida 18 de Julio in downtown Montevideo, Uruguay March 8, 2021. The word is a term to say exhausted or “had enough” but used by women. (Photo by Mariana Greif/Reuters)

Activists from the animal rights group PETA, wearing bikinis and crocodile masks, stand outside a store of the French fashion label Hermes in Melbourne on March 16, 2021, to protest against their use of crocodile skins and the recent purchases by Hermes and LVMH of crocodile farms in Australia's Northern Territory. (Photo by William West/AFP Photo)

A large teddy bear, used to enforce social distancing, is pictured sitting at a cafe in Pristina on July 23, 2020, as Kosovo authorities announce new measures to fight against the resurgence of the COVID-19, the novel coronavirus. (Photo by Armend Nimani/AFP Photo)

A picture released by the North Korean Central News Agency (KCNA) shows Kim Jong-un convening an urgent operation meeting at 0:30 am on March 29, 2013 at an undisclosed location, in which he ordered strategic rocket forces to be on standby to strike US and South Korean targets at any time. (Photo by KCNA via EPA)

Migrants ride on top of a northern bound train toward the US-Mexico border in Juchitan, southern Mexico, Monday, April 29, 2013. Migrants crossing Mexico to get to the U.S. have increasingly become targets of criminal gangs who kidnap them to obtain ransom money. (Photo by Eduardo Verdugo/AP Photo)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.