Racegoers attend the opening day of the Grand National Festival horse race meeting at Aintree Racecourse in Liverpool, north west England on April 7, 2022. (Photo by John Mather/Image View)

Twenty-year-old women draped in traditional kimonos gather for their “Coming-of-Age Day” ceremony at the Tokyo Disneyland in Urayasu, eastern suburb of Tokyo on January 13, 2020. (Photo by Kazuhiro Nogi/AFP Photo)

A woman plays billiards during a local championship at a sports hall in Yemen's capital Sanaa on December 16, 2019. (Photo by Mohammed Huwais/AFP Photo)

A worker pushes a wheelbarrow past a mural in Doha on November 8, 2022, ahead of the Qatar 2022 FIFA World Cup football tournament. (Photo by Gabriel Bouys/AFP Photo)

A woman and a girl in a school uniform run past a barricade of burning tires during a demonstration against high prices and fuel shortages, in Port-au-Prince, Haiti on October 21, 2021. (Photo by Ralph Tedy Erol/Reuters)

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

Castel Meur, also known as La Maison du Gouffre or “the house between the rocks”, is a charming cottage wedged between two huge jagged rocks that has been drawing tourists to the otherwise quiet little village of Plougrescant, located in the department of Côtes-d’Armor in the region of Brittany, in France, since the 19th century.

A member of Brazilian samba school “Aguia de Ouro” takes part in a parade at Anhembi sambadrome as part of carnival in Sao Paulo, Brazil, early 25 February 2017. The Sao Paulo Carnival runs from 24 to 28 february 2017. (Photo by Fernando Bizerra Jr./EPA)