Jacek Yerka is an amazing painter from Poland. His subject matter ranges from odd beasts to whimsical landscapes incorporating extraordinary architecture, and includes imagery gleaned from his childhood. I handpicked a few of his pieces so we can take a close look at his world of painting.

An installation consisting of a series of bird boxes is displayed in a tree in Duncan Terrace Gardens in Islington on March 24, 2011 in London, England. The boxes by artists Bruce Gilchrist and Jo Joelson of “London Fieldworks”, were designed to reflect the architecture of the Georgian terraces and flats that surround the park in the community gardens. (Photo by Dan Kitwood/Getty Images)

With the Wat Samphran Temple, what you see is what you get: while a smattering of awed visitors across the web have expressed admiration for this impressive work of architecture, details such as when it was built, who designed it, or why this 17-story tower is in the clutches of a massive, beautiful dragon are nowhere to be found.

Michael Zavros is an Australian realist painter. Michael Zavros is one of Australia’s most significant younger realist painters. He is fascinated by beauty and his subjects include leaping and falling horses, men in suits, high fashion, classical mythology and French neo-classical architecture. Every single one of his art pieces looks amazing !Just keep in mind that all the images published here are paintings !

Stuart Haygarth hangs his spectacle chandelier at The Lighthouse, Scotland's national Architecture Design Centre on November 29, 2007 in Glasgow, Scotland. The 7ft chandelier is made of over 1000 pairs of glasses, and is one of a range of products the designer has made out of recycled products. (Photo by Jeff J Mitchell/Getty Images)

Prada Marfa is a permanently installed sculpture by artists Elmgreen and Dragset, situated 1.4 miles (2.3 km) northwest of Valentine, Texas, just off U.S. Highway 90 (US 90), and about 26 miles (42 km) northwest of the city of Marfa. The installation was inaugurated on October 1, 2005. The artists called the work a "pop architectural land art project."

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.