A model presents a creation by Kazakhstan's designer Naiyl Baikuchukov during Kazakhstan Fashion Week at National Academical Theater of Opera and Ballet in Almaty, Kazakhstan on April 11, 2018. (Photo by Shamil Zhumatov/Reuters)

Girls in ballet dresses pose near St. Basil's Cathedral and the Kremlin's Spasskaya Tower in Red Square in central Moscow, Russia on July 19, 2023. (Photo by Evgenia Novozhenina/Reuters)

Mariana Sousa, student of the Ballet Paraisopolis, warms up during a rehearse in Paraisopolis favela, outskirts of Sao Paulo, Brazil on August 27, 2020, amid the new coronavirus COVID-19 pandemic. The 200 ballet students of Paraisopolis, the second largest favela in Sao Paulo, restarted rehearsals after five months with a coreography about a police operation that put their community in mourning last year. (Photo by Nelson Almeida/AFP Photo)

Young dancers practice by the Kenya – Uganda railway line, prior to the start of a Christmas ballet event in Kibera, the Kenyan capital's largest slum, Friday, December 15, 2023. The ballet project is run by Project Elimu, a community-driven nonprofit that offers after-school arts education and a safe space to children in Kibera. (Photo by Brian Inganga/AP Photo)

Ballet dancer Anoushka Zoe James dances in the water at the Ipanema beach in Rio de Janeiro, Brazil on October 29, 2020. (Photo by Pilar Olivares/Reuters)

The book “Elektroschutz in 132 Bildern” (Electrical Protection in 132 Pictures) was published in Vienna in the early 1900s by a Viennese physician named Stefan Jellinek (1878-1968, a founder of the Electro-Pathological Museum). The pictures are nice and direct and unambiguous; they teach, graphically, that the surest way to kill yourself with electricity is to form a complete path from source (usually the bright red arrow) to ground (the screened back, pink arrow). Arrowheads provide the path for current flow. (Photo by The Vienna Technical Museum)

Underwater photographer of the year – winner. Dancing Octopus by Gabriel Barathieu (France). Location: Island of Mayotte, off the coast of south-east Africa. “Balletic and malevolent”, one judge said of this octopus, hunting in a lagoon. Barathieu waited until spring tides when there was just 30cm of water on the flats and plenty of light in the shallows. (Photo by Gabriel Barathieu/UPY2017)

A visitor to ''The Cult of Beauty: The Aesthetic Movement 1860-1900'' exhibition at The V&A Museum looks at sculptures by Thornycroft (L) and Watts on March 30, 2011 in London, England. This exhibition brings together for the first time many masterpieces in painting, sculpture, design and furniture as well as fashion and literature and runs from April 2nd to July 17th 2011.