The drag troupe Dabber Dolls, arriving in Glasgow Central station on September 21, 2022 for their first tour of Mecca Bingo halls, are joined by a Scottish fan. (Photo by Robert Perry/The Guardian)

General view of festival goers at the main stage on Day 3 of Download festival at Donnington Park on June 12, 2022 in Donnington, England. (Photo by Chris Bethell/The Guardian)

Huang Mei-ya in a scene from Lunar Halo by Cloud Gate at Sadler's Wells in London in the last decade of November 2023. (Photo by Tristram Kenton/the Guardian)

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)

This 2014 series Shanghai Tian Wa saw Chinese photographer Liu Tao train his lens on two distinct districts in Shanghai. Here: “Shanghai Tian Wai №26, 2014”. (Photo by Liu Tao/The Guardian)

The annual Antarctic photography exhibition, which is part of Hobart’s Antarctica festival is back on with its chilly, majestic imagery. The winner this year is Sydney’s Sam Edmonds with his striking photo of a gentoo penguin in the snow. Here: Casey Station 2017. (Photo by Chris J. Wilson/The Guardian)

Ryo Minemizu, one of Japan’s emerging stars in the field of marine life photography and the 2017 winner of the Nikkei National Geographic photography prize, captures the beauty and complexity of plankton that drift in our planet’s oceans and other bodies of water in meticulous detail. Here: Batesian mimicry by a Soleichthys fish larva. (Photo by Ryo Minemizu/The Guardian)

Renowned amphibian and reptile photographer Matthijs Kuijpers has released his first book, “Cold Instinct”. Kuijpers says the aim of the work is “for the viewer to abandon the fear and negative thoughts that often surround these animals”. What’s left is the bizarre beauty of these creatures in their simplest form – no backgrounds and no distractions. Here: Mossy frog (Theloderma corticale). (Photo by Matthijs Kuijpers/The Guardian)