Chinese artist Song Dong stands in his installation entitled “Waste Not” in The Curve at the Barbican Art Gallery on February 14, 2012 in London, England. Waste Not comprises over 10,000 objects collected by Song Dong's mother over a period of 5 decades. The installation is Song Dong's first major solo exhibition in the UK and opens to the general public on February 15, 2012. (Photo by Oli Scarff/Getty Images)

“Unexpected x2 (a.k.a. “how much is that doggie in the window”)”. Taiwan, 2011. (Photo and caption by Asian (Street) Impressions)

A visitor is reflected in a light installation at Mulberry Lights on Regent Street in London, UK on November 16, 2018. Visitors have fun taking selfies and posing with the colourful light installations. Mulberry Lights is a series of illuminating interactive experiences that celebrate how light, colour, shapes and people come together to create a modern British Christmas. (Photo by Imageplotter/Rex Features/Shutterstock)

Agueda in Portugal is the setting for this wonderful installation by Sextafeira called Floating Umbrellas. This colorful creation is a part of the Agitagueda art festival. Due to the fact that the same idea was used last year this is the second time the streets of this town have been covered with loads of vivid umbrellas, providing shade, as well as a wonderful sight. The people loved it so much that the repetitive nature of the installation does not carry the risk of becoming boring, but rather turning into a wonderful tradition.

Nadeea Volianova the Russian Pop Star's bizarre, naked New Years “Art Installation” featuring an American flag, the named Putin and Trump in huge letters and the singer wearing a space helmet and not much else, Art Threat Gallery, Las Vegas, NV on December 29, 2016. (Photo by S_bukley/Splash News and Pictures)

British soldiers inspect a captured German place in the Horseguards' Parade, London during World War I in November 1914, with the London Eye in the background as a reminder of just how much has changed in the last 100 years. (Photo by Peter Macdiarmid/Getty Images)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.