A herdsman stands on the back of a grey bull during a ceremony of driving sheep from their winter habitat to their summer pasture in the puszta or Hungarian steppe of Hortobagy, 183 kms east of Budapest, Hungary, 23 April 2016. Sheep are traditionally driven to their summer pasture at around St. George's Day in the Hortobagy region, because livestock breeding people traditionally consider St. George's Day the beginning of spring. (Photo by Zsolt Czegledi/EPA)

In this Sunday, September 6, 2020 file photo, people with their children stand at a barbed wire fence in front of a police line toward the Independence Palace, residence of the President Alexander Lukashenko, during Belarusian opposition supporters rally in Minsk, Belarus. Belarus President Alexander Lukashenko has relied on massive arrests and intimidation tactics to hold on to power despite nearly three months of protests sparked by his re-election to a sixth term, but continuing protests have cast an unprecedented challenge to his 26-year rule. (Photo by TUT.by via AP Photo)

A gravedigger competes as a boy looks on during the first National Grave Digging competition at the public cemetery of Debrecen, 226 km east of Budapest, Hungary, Friday, June 3, 2016. Eighteen two-man teams of Hungarian gravediggers are demonstrating their skills for a place in a regional championship to be held in Slovakia. (Photo by Zsolt Czegledi/MTI via AP Photo)

A woman looks at traditional Ukrainian Easter eggs “Pysanka”, installed as part of the upcoming celebrations of Easter, in central Kiev, Ukraine, April 29, 2016. A pysanka is a Ukrainian Easter egg, decorated with traditional Ukrainian folk designs using a wax-resist (batik) method. The word pysanka comes from the verb pysaty, “to write”, as the designs are not painted on, but written with beeswax. Many other eastern European ethnic groups decorate eggs using wax resist for Easter. These include the Belarusians, Bulgarians, Croats, Czechs, Hungarians, Lithuanians, Poles, Romanians, Serbs, Slovaks, Slovenes and Sorbs. (Photo by Valentyn Ogirenko/Reuters)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

Zahra Lari runs in a scene shot for the Nike Middle East ad campaign filmed in Dubai, UAE, February 10, 2017. An online commercial released by Nike (NKE.N) this week that showed Arab women fencing, boxing and spinning on ice-skates has stirred controversy over its attempt to smash stereotypes about women leading home-bound lives in the conservative region. (Photo by Reuters/Nike)

Photographer Pol Kurucz’s vivid collection of photos explores issues faced by black Brazilian women, from political misrepresentation to unrealistic beauty standards. Kolor Collective is a Rio de Janeiro-based creative group that challenges the struggle faced by black women in Brazil through theatrical and provocative art. It was founded in 2015 by Franco-Hungarian photographer Pol Kurucz, who often touches on his own experiences of discrimination to call out sensitive social problems. (Photo by Kolor Art Collective/The Guardian)

A racoon jumps over a fence in almost deserted Central Park in Manhattan on April 16, 2020 in New York City. Gone are the softball games, horse-drawn carriages and hordes of tourists. In their place, pronounced birdsong, solitary walks and renewed appreciation for Central Park's beauty during New York's coronavirus lockdown. The 843-acre (341-hectare) park – arguably the world's most famous urban green space – normally bustles with human activity as winter turns to spring, but this year due to Covid-19 it's the wildlife that is coming out to play. (Photo by Johannes Eisele/AFP Photo)