“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)

Miranda Kerr arrives for the 9th Annual G'Day USA Los Angeles Black Tie gala on January 14, 2012 in Hollywood, California. (Photo by Toby Canham/Getty Images)

“Spa treatments don't stop with people. You won't see any aromatherapy candles around, but animals get massages, too, and it's become a regular service that many pet owners value as more than just glorified petting. Practitioners say massage can be a preventive measure for younger animals and rehabilitative for older ones by boosting flexibility, circulation and immunity”. – Terry Tang via The Associated Press. Here: in this November 6, 2014 photo, Shelah Barr of Happy Hounds Massage gives a massage to Dewie, 2, at the home of Laurie Ubben in San Francisco. (Photo by Jeff Chiu/AP Photo)

“Sniff out the Appenzell Cheese”. Alexander Hunter, 30, of Greenwich, Conn., took this photo in Appenzell, Switzerland, in September 2014. (Photo by Alexander Hunter)

A model presents a creation from the Fyodor Golan catwalk show at London Fashion Week Autumn/Winter 16 in London, Britain February 19, 2016. (Photo by Neil Hall/Reuters)

Tennis star Anna Kournikova of Russia recreates a legendary Marilyn Monroe pose during the filming of the adidas climacool commercial on location in Los Angeles. (Photo by CLIVE BRUNSKILL/Getty Images). 11 Mar. 2002

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

The Photographers 2015 runs from 25 November to 23 December at Osborne Samuel and Beetles+Huxley, London. Here: Untitled, 1950, by Bert Hardy. (Photo by Bert Hardy/Beetles+Huxley & Osborne Samuel)