Young Slovaks dressed in traditional costumes throw a bucket of water at a girl as part of Easter celebrations in the village of Trencianska Tepla, Slovakia, April 9, 2012. Slovakia's men splash women with water to symbolize youth, strength and beauty for the upcoming spring season. (Photo by Samuel Kubani/AFP)

A woman swings a child around a fire, where an effigy of the demon Ghantakarna was burnt to symbolize the destruction of evil, during the Ghantakarna festival at the ancient city of Bhaktapur, Nepal August 12, 2015. According to local folklore, the demon is believed to “steal” children and women from their homes and localities. (Photo by Navesh Chitrakar/Reuters)

Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)

A Filipino transgender woman holds a huge red ribbon symbolizing fight against the HIV virus as she poses before photographers, during a World Aids Day celebration in Manila, Philippines, December 1, 2015. (Photo by Erik De Castro/Reuters)

Race winner USA's Mikaela Shiffrin reacts as she is symbolically crowned on the podium after competing in the Women's Giant Slalom on January 24, 2023 in Plan de Corones (Kronplatz), Dolomites Mountains, as part of the FIS Alpine World Ski Championships. (Photo by Marco Bertorello/AFP Photo)

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.

Animal rights activists from the group “Animal Equality” are covered with plastic sheets to represent meat packaging as they stage a protest during “Day Without Meat” event in Barcelona, Spain, on March 20, 2013. (Photo by Lluis Gene/AFP Photo)

Laszlo Koday was born in Hungary in 1945. In 1970 he began as a self-tought painter. The life and work of Henri Rousseau made a deep impression on him. His pictures are fairy tales expressed by pictorial means, human, animal and nature are equally important in them. There are bright, with unmixed pure colours, compositions wich spread calmness and gaiety. Kaday's works are know not only in Hungary but in many countries and are included in many private and public collections. His paintings can be found in galleries abroad, for example the GINA Gallery.