People are reflected in a shop window as they walk along a street in a shopping district in Tokyo, Japan June 25, 2015. (Photo by Thomas Peter/Reuters)

A blurred panaroma of Roemerberg historic center is reflected in a soap bubble in Frankfurt am Main, Germany, 09 July 2015. (Photo by Frank Rumpenhorst/EPA)

“Itasha (痛車), literally “painmobile”, is a Japanese term for an otaku fad of individuals decorating the bodies of their cars with fictional characters of anime, manga, or video games (especially bishōjo game or eroge). These characters are predominately “cute” female. The decorations usually involve paint schemes and stickers. Automobiles are called Itasha, while similar motorcycles and bicycles are called itansha (痛単車) and itachari (痛チャリ), respectively”. – Wikipedia


Photo: A visitor takes pictures of an anime-decorated «Itasha» car displayed during the “Moe Fes in Washimiya” at Washimiya Town Hall on July 18, 2009 in Washimiya, Saitama, Japan. Itasha, a word derived from “itai” (painful) and “sha” (car), are vehicles decorated with mostly female characters from Japanese manga, anime and video games. (Photo by Kiyoshi Ota/Getty Images)

A hyena kisses his own reflection while appearing to walk on water. (Photo by Jake De Wet/Caters News Agency)

The crowd is reflected in the glasses of a bearded competitor at the third annual National Beard and Moustache Championships in Las Vegas, Nevada on November 11, 2012. (Photo by Frederic J. Brown/AFP Photo)

Women pose for photographs infront of an art installation comprising of reflective stainless steel balls at a public park in Singapore on August 22, 2022. (Photo by Roslan Rahman/AFP Photo)

Women Wrestlers, Bolivia. Lucha libre (Bolivian wrestling) is one of the most popular sports in the country. Women wrestlers are known as cholitas and have in the last ten years become popular in the sport. Here, Carmen Rosa and Yulia la Pacena perform in a benefit show to raise money for the bathrooms of a school in La Paz, Bolivia, 26 June 2011. (Photo by Daniele Tamagni)

The Enemy, 1944. With the outbreak of world war two, photojournalism was enlisted in defence of Mother Russia. In this photo by Anatoli Egorov, who was wounded in action, corporal Stepan Vasiljevich Ovcharenko shoots at enemy troops with a machine gun. (Photo by Anatoli Egorov/Lumiere Brothers Center for Photography)