Executive producer Dave Alpert attends the season five premiere of “The Walking Dead” at AMC Universal Citywalk on Thursday, October 2, 2014, in Universal City, Calif. (Photo by John Shearer/Invision for AMC/AP Images)

“Award-winning photographer Camille Seaman, best known for her earlier work depicting massive polar icebergs, recently turned her lens on another incredible natural phenomenon - storm clouds above the American Midwest. She partnered with experienced storm chasers and began to stalk a particular type of storm cloud – the supercell. On June 22, 2012, in western Nebraska, she encountered an enormous supercell and captured its many faces”. (Photo by Camille Seaman via TheAtlantic)

A model applies lipstick backstage during the “We Love Flamenco” fashion show in the Andalusian capital of Seville January 14, 2015. The show will run until January 18. (Photo by Marcelo del Pozo/Reuters)

The photo project was done for the organization Fishlove and included some other U.K.-based celebrities posing in the buff with critters ranging from bass fish to sharks. Its goal is to raise awareness of how overfishing is destroying the oceans. The release of Gillian's nearly nude pic, which was snapped by French portrait photographer Denis Rouvre, is timed with a European Parliament vote on banning destructive forms of deep-sea fishing in the Northeast Atlantic. The Fishlove organization is trying to rally voters to sign a petition ending deep-sea trawling – which, according to scientists, is negatively impacting the fish population and their habits – and Gillian solicited signatures in a Twitter post. Photo: “Fish Love” Project by Photographer Denis Rouvre. Gillian Anderson. (Photo by Denis Rouvre)

Angler Thomas Rielly catches a fish during the opening of the salmon fishing season on the River Tay January 16, 2012 in Kenmore, Scotland. A procession with a pipe band and anglers made its way through Kenmore at the east end of Loch Tay to mark the start of the 2012 salmon season on the River Tay. (Photo by Jeff J. Mitchell/Getty Images)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Revelers of the “Societe des Champs Elysee” launch fireworks before boarding the Rampart-St. Claude street car line, which just opened last fall, to commemorate the official start of Mardi Gras season, in New Orleans, Friday, January 6, 2017. (Photo by Gerald Herbert/AP Photo)

Banger racers take part in one of the final races of the banger racing season at the Mendip Raceway on October 9, 2011 in Cheddar, England. Banger racing is a popular contact motorsport, especially in the UK and Ireland – in which drivers of old and scrap vehicles race against one another around a dirt or tarmac race track, while deliberately attempting to destroy opposing vehicles. (Photo by Matt Cardy/Getty Images)