Rihanna poses as she attends the photocall for the movie “Battleship” at the Corinthia Hotel on March 28, 2012 in London, England. (Photo by Dave M. Benett/Getty Images)
Relatives of inmates of the «Santiago 1» jail react outside the prison after a large number of prisoners attempted to escape amid panic over the spread of the COVID-19 coronavirus in Santiago, Chile, on March 19, 2020. (Photo by Javier Torres/AFP Photo)
Liam Hemsworth's girlfriend fashion model Gabriella Brooks stuns in swimsuits as the new Seafolly global ambassador and face of this season's “Escape To Summer” campaign on October 11, 2021. (Photo by Seafolly/The Mega Agency)
32 year old Mahada Khatum repairs a fishing net outside her home in the Shamalapur Rohingya refugee settlement on April 11, 2014 in Chittagong district, Bangladesh. Some years ago she escaped violence and discrimination from the Zomgara Baharchara village in the Meherulla district of Myanmar. (Photo by Getty Images/Stringer)
Artist Jesús Prudencio loves cars and movies, if you couldn’t tell by his beautiful series of movie posters, titled Cars and Films, that focuses on an iconic automobile from each movie. From Back to the Future to Pulp Fiction, The Shining to The Italian Job, Prudencio’s colorfully minimal illustrations are a delight for any fan of cars and/or films.
A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.
“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)