Surfers surf at Surf Snowdonia in Conwy, North Wales, September 3, 2015. The surf park, which cost $22.8 million, opened on August 1 and is the world's first commercial artificial surfing lake, according to the company.The pool is 300 metres (980 ft) long and 110 metres (360 ft) wide, containing a total of six million gallons of water. A bi-directional snowplough-shaped wave-generation mechanism, towed on a cable between the two central towers, moves up and down the pool on a three-rail track, generating the waves. (Photo by Andrew Yates/Reuters)

Greece-based illustrator, Charis Tsevis took his fascination with our wired world to develop his series of colorful and detailed wire illustrations. He uses all types of wires, including USB cords and phone cables, and creates form figures, faces and animals by tangling them together. Tsevis says, “All of them have to do with the relationship between the network and the human body and spirit”. Photo: “The Conquering Lion: Plug into the power of Reggae”. (Photo by Charis Tsevis)

Granada’s International Poetry Festival is an extraordinary celebration of poetry that takes place across the entire city. For a week, every February, Granada is transformed into a virtual Capital of the World’s Poetry. Photo: A girl takes part in the “Burial of arrogance and haughtiness” carnival during the IX Poetry Festival in Granada, 45 km from Managua, Nicaragua on February 20, 2013. In this occasion the festival is dedicated to Nicaraguan poet Ernesto Cardenal. (Photo by Hector Retamal/AFP Photo)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

A visitor takes a picture of a display bearing hand prints of war heroes from the War of Resistance against Japan, at Jianchuan Museum Cluster in Anren, Sichuan Province, China, May 13, 2016. Tucked away in southwestern China's Sichuan province, a private collector stands virtually alone in exhibiting relics from the 1966-1976 Cultural Revolution. Monday marks the 50th anniversary of the start of the political movement, with no official commemorations planned. Official records whitewash the details of both periods, but admit that Mao made major mistakes. (Photo by Kim Kyung-Hoon/Reuters)

An Afghan girl carries water on her back as she climbs a hill in Kabul, Afghanistan February 20, 2017. A growing population is straining water supplies in Afghanistan's capital, forcing those who can afford it to dig unregulated wells ever deeper to tap a falling water table. Finding water in arid Afghanistan is virtually always a challenge, but a drop in the groundwater level in Kabul caused by overuse and drought is making it even more difficult for residents, especially the poor. (Photo by Omar Sobhani/Reuters)

Assassin’s Creed is a game that is set in the past with the main character’s subconsciousness traveling through the fabric of time to acquire hidden knowledge. The level designers of Assassin’s Creed Unity have meticulously recreated the streets of 1789 Paris to allow the users to become completely engulfed by the atmosphere of this proud and ancient city. Each year, games are becoming more and more realistic, and soon the line between movie footage and computer generated world will completely blur. This is both scary and exciting prospect, yet there is no doubt that someday, virtual world will be indistinguishable from the real one. To illustrate this, Damien Hypolite has taken a series of photos which compare scenes from Assassin’s Creed to the real placed in modern Paris. (Photo by Damien)

For centuries the Highlands peoples of Papua New Guinea fought over land, women and pigs. Sorcery and battle skills could elevate a clan to Bigmanship, where the bigger the “presentation”, the bigger the man. Clans therefore would paint their bodies and create fearsome masks as part of their psy. Here: These are the terrifying tribe of “mudmen” from a remote part of Papua New Guinea. (Photo by Jeremy Hunter/Exclusivepix Media)