Boys eat at a rubbish dump where they are collecting recyclable waste outside Yemen's Red Sea port city of Houdieda January 20, 2016. (Photo by Abduljabbar Zeyad/Reuters)

An armed tribesman loyal to Houthis steps on a US flag during an anti-USA and anti-Israel rally, in Sana'a, Yemen, 29 January 2024. (Photo by Yahya Arhab/EPA/EFE)

A member of the United Arab Emirates armed forces gestures as the first batch of UAE military personnel returns from Yemen in Abu Dhabi, November 7, 2015. (Photo by Reuters/United Arab Emirates News Agency WAM)

Fighters of the pro-government Popular Resistance Committees militia carry a cannon as they transport it in parts to Yemen's southwestern war-torn city of Taiz December 26, 2015. (Photo by Reuters/Stringer)

A girl carries a bag of recyclable items she collected from a landfill on the outskirts of Sanaa, Yemen November 16, 2016. (Photo by Mohamed al-Sayaghi/Reuters)

A man carries food supplies on a donkey to Dhalamlam Mountain in the Jafariya district of the western province of Raymah, Yemen June 2, 2016. In villages perched high on a mountain in Western Yemen, residents are a safe distance from a conflict raging throughout most of the country but have had to turn the clock back on their lifestyles by centuries. (Photo by Abduljabbar Zeyad/Reuters)

In this October 6, 2018, photo, a craftsman makes daggers or “Jambiyya” in Yemeni Arabic, made out of remains of missiles, at his workshop, in Hajjah, Yemen. Missiles raining on Yemen from the jets of the Saudi-led coalition fighting Houthi rebels are killing thousands of civilians and militiamen alike, but amid crashing economy, some Yemenis see the bright side of it: they make daggers out of the fragments of the missiles for ordinary men traditionally wear for prestige and a show of courage. (Photo by Hammadi Issa/AP Photo)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List