A participant shows off a belt buckle during the 20th annual Seattle Invitationals, an amateur Elvis impersonator competition, in Seattle, Washington January 23, 2015. The event drew hundreds of spectators for 20 contestants at the Crocodile, a venue in Seattle's Belltown neighborhood. (Photo by David Ryder/Reuters)

A child dressed as a cat takes part in the Children's Halloween day parade at Washington Square Park in the Manhattan borough of New York October 31, 2015. (Photo by Carlo Allegri/Reuters)

A devotee is smeared with a vermillion powder while celebrating the “Sindoor Jatra” vermillion powder festival at Thimi, in Bhaktapur, Nepal, April 14, 2016. Devotees mark the festival by playing traditional drums, singing, dancing and carrying chariot of various deities around town while throwing vermillion powder to welcome the advent of spring and the New Year. (Photo by Navesh Chitrakar/Reuters)

A cook grills chicken during the Festival des Grillades, in the yard of the Culture Palace of Abidjan, September 5, 2015. The two day festival was iniated in 2008 to promote Ivorian cuisine, which revolves around grilled food. (Photo by Luc Gnago/Reuters)

Disguised participants strike poses on a car during the ancient carnival of Ituren, in the northern Spanish Navarra province on January 30, 2017. The yearly three day festivities, revolving mainly around agriculture and principally sheep hearding, run on the last Sunday, Monday and Tuesday of January where Navarra Valley locals from two villages dress up and participate in a variety of activites as they perform a pilgrimage through each village. (Photo by Ander Gillenea/AFP Photo)

In this photo taken Friday, December 9, 2016, young ballerinas practice under the instruction of Kenyan ballet dancer Joel Kioko, 16, in a room at a school in the Kibera slum of Nairobi, Kenya. (Photo by Ben Curtis/AP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

Vendors selling vegetables wait for customers under a flyover in the early morning in Ahmedabad, India on February 1, 2017. (Photo by Amit Dave/Reuters)