Security forces' members gesture towards a woman in Santiago, Chile on December 18, 2019. (Photo by Andres Martinez Casares/Reuters)

Jill Olsen (R) has her picture taken inside a giant cocoon, from the “Falling Skies” TV series, during the 2014 Comic-Con International Convention in San Diego, California July 24, 2014. (Photo by Sandy Huffaker/Reuters)

A deer forages for food in the early morning sun as cooler temperatures bring on the autumn season at Dunham Massey on on October 11, 2010 in Lymm, England. Shortening daylight hours and cooler weather brings on the rutting season for Red and Fallow deer herds and Autumn foliage colours across Britain. (Photo by Christopher Furlong/Getty Images)

A vendor pushes an improvised cart with a woman and merchandise along a rarely used rail track in Bangkok, Thailand, Thursday, June 25, 2020. Daily life in the capital slowly returns to normal as the Thai government eases many restrictions imposed weeks ago to combat the spread of COVID-19. Though emergency regulations require the use of face masks in public, some residents have become apathetic as Thailand has record zero local transmission for over three weeks. (Photo by Gemunu Amarasinghe/AP Photo)

A reveller from Unidos do Viradouro samba school performs during the first night of the Carnival parade at the Sambadrome in Rio de Janeiro, Brazil, April 23, 2022. (Photo by Amanda Perobelli/Reuters)

People struggle to hold onto their umbrellas in a crosswalk in the rain in Seoul, South Korea, 08 August 2022, as the rainy seas​on revisits the country. (Photo by Yonhap/EPA/EFE)

“Suri tribes boys are collecting the blood of a cow in a calabash the vein of the animal was opened with a bow and an arrow. Like most pastoralists the Surma people are drinking fresh blood which is from the cow vein. Only some minutes after the wound at the vein is closed again the animals are back with their herd”. (Photo and caption by Anthony Pappone)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)