History enthusiasts of French association “Arquebusiers de l'Est”, dressed as soldiers of 3rd regiment of Zouave, attend an Armistice Day ceremony to commemorate the end of World War One at Epernay, eastern France, November 11, 2014. More than a hundred volunteers from France, Romania, England, Belgium, Russia and Italy took part in the parade. The year 2014 marks the centennial commemoration for the soldiers who fought in the First World War (WWI). (Photo by Charles Platiau/Reuters)

If we were to burn NH4Cr2O7 with HgSCN in the Dark Ages in Europe and show it to anyone, it is us who would be burning next on a fiery cross of Inquisition. And it’s no wonder, since this experiment produces a truly marvelous result. At first, as you ignite the mixture of NH4Cr2O7 and HgSCN, all you can see is that it is slowly burning with a reddish flame. After a while, however, a crater is formed in the middle of the burning pile, and then, suddenly, tentacle-like appendages start sprouting from the burning mixture. And you can almost hear the scream of the mad occultist – “Come forth, Kraken! Come forth!” But of course, this is simply a chemical reaction that is called the "Pharoah's Serpent". It was also often sold in firework stores until people realized that it was toxic.

Each day as we look in the mirror, we think that we know ourselves. We are used to the image that we see before us, but the mirror can show us much more than we ever hoped to see. Sometimes it only shows basic emotions, while at other times it can highlight the deepest crevices of our soul. If you wish, in the reflection of the mirror you can see your deepest thoughts, masks that you wear every day, your desires, and of course the people that you think about. But are you brave enough to look deep within your soul? Will you dive headlong or shy away from your true image? Those that will muster up the courage necessary will realize it was well worth the effort. (Photo by Devin Mitchell)

Modern art is truly fascinating. Not in a way that it produces some novel things that will fascinate future generations for decades and even centuries to come. No, that is very far from the truth. On the contrary, modern art is essentially anything (yes, any little thing) that is a bit unusual and was created by a famous person. Let’s take the creation of Antoine Bridier-Nahmias for example. His brainchild is a set of pictures of petri dishes that were contaminated by various cultures of fungi. If this is art, I missed my chance of becoming famous when I accidentally left a piece of bread in a bag in a cupboard for about six months, and didn’t take a picture of the rather shocking results that awaited me when I finally discovered it. (Photo by Antoine Bridier-Nahmias)

An artist has created series of wacky images turning everyday items into hilarious and all but impossible to use objects. Giuseppe Colarusso, 49, fashioned the unique work to make people question the functionality of the likes of cutlery, garden tools and office equipment. The set of playful pictures, entitled “Improbabilita”, makes some items impossible to use, others improbable and some given a completely new function altogether. From a dice with no spots, to a ping pong paddle with a hole in it, the items have all been given a quirky twist. Photo: Cuttlery with rope handles. (Photo by Giuseppe Colarusso/Caters News)

Gers, traditional Mongolian tents, are seen on a hill in an area known as a ger district in Ulan Bator June 26, 2013. Approximately 60 percent of the population of Ulan Bator live in settlements known as ger districts and in many cases residents have limited access to basic services such as water and sanitation. According to a 2010 National Population Center census, every year between thirty and forty thousand people migrate from the countryside to the capital Ulan Bator. Ger districts in the city have been expanding rapidly in recent years. Mongolia is the world's least densely populated country, with 2.8 million people spread across an area around three times the size of France. (Photo by Carlos Barria/Reuters)

America’s Haunts, a trade association, estimates there are 1,200 for-profit haunted attractions in the U.S. plus another 3,000 haunted houses operated by charities that open for only a day or two every year. The commercial attractions collectively bring in from $300 million to $500 million annually. Fright Nights attendees make a turn through one of four haunted houses at this year's spooking season setup at the South Florida Fairgrounds. This house is named The Smiths and was created by Craig McInnis. (Photo by The Palm Beach Post)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.