Giant pandas play in a snow group at Chongqing Zoo in Chongqing, China, on December 14, 2024. (Photo by Costfoto/NurPhoto/Rex Features/Shutterstock)

Members of the general public enjoy the “BEACH” at the National Building Museum August 25, 2015 in Washington, DC. The “BEACH” is an interactive architectural installation, with an “ocean” of nearly one million recyclable translucent plastic balls, that brings the experience of going to the beach indoor. (Photo by Alex Wong/Getty Images)

Dua Lipa seen at Glastonbury Festival 2019 on June 27, 2019 in Glastonbury, England. (Photo by GC Images/GC Images)

Model Bella Hadid is seen on June 9, 2017 in Paris, France. (Photo by Marc Piasecki/GC Images)

Four young, trendsetting architectural offices from Denmark, Holland and France along with PensionDenmark are the clever ones behind the Iceberg – a unique house building, sporting 11 pinnacles, situated at the outermost corner of Aarhus Harbour, thus having a spectacular view of Aarhus Bay and Kalø Cove and Aarhus City.

A view of the spectacular colour of clouds at sunset on January 17, 2005 in Beijing, China. (Photo by China Photos/Getty Images)

Pictures from Tasmania’s central plateau, shot by wilderness photographer Dan Broun, show the extraordinary damage wrought by more than a week of bushfires following lightning strikes in Australia’s southernmost state on January 13. 2016. The world heritage area was home to a range of unique alpine flora including pencil pines, king billy pines and cushion plants, some more than 1,000 years old. Now more than 10,000ha of land has been incinerated, and ecologist say that, unlike eucalyptus trees, the ancient flora will not recover. (Photo by Dan Broun)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)