A relative (L) of Champa Devi, 88, sits next to her body, minutes after her death at Mukti Bhavan (Salvation House) at Varanasi, in the northern Indian state of Uttar Pradesh, June 21, 2014. The city of Varanasi, on the banks of the River Ganges, is widely considered Hinduism's holiest city and many Hindus believe that dying there and having their remains scattered in the Ganges allows their soul to escape a cycle of death and rebirth, attaining “moksha” or salvation. “Mukti Bhavan” or “Salvation House”, is a charity-run hostel that caters for people who wish to come to Varanasi to die. Guests can normally stay up to two weeks after which, if they haven't yet passed away, they are gently asked to leave. (Photo by Danish Siddiqui/Reuters)

A woman takes a picture of people posing in front of “Zinzow”, a “Transformers-inspired” sculpture constructed from scrap metal in Podgorica, July 22, 2014. Danilo Baletic, 22, makes sculptures of his childhood cartoon heroes, “Transformers”, from scrap metal. In the last two years he has made seven “Transformers” sculptures that are placed on the streets of Montenegro's capital Podgorica as part of an exhibition called “Transformers defending Podgorica”. (Photo by Stevo Vasiljevic/Reuters)

Sergei Bobkov, 59, paints Siberian cedar nut oil onto a life-size sculpture of Pallas's Cat, also known in Russia as Manul Cat, which he made from Siberian cedar wood shavings using more than 700 thousand pieces over four years, in the village of Kozhany, southwest of the Siberian city of Krasnoyarsk, Russia, April 28, 2017. (Photo by Ilya Naymushin/Reuters)

Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

Mikhail Vasilenko, a participant from the Siberian town of Nizhny Tagil, works on an ice sculpture called “The Predator”, on the last day of the annual international festival of snow and ice sculptures “The Magical Ice of Siberia”, with the air temperature at about minus 28 degrees Celsius (minus 18.4 degrees Fahrenheit), in Krasnoyarsk, Russia, January 17, 2016. (Photo by Ilya Naymushin/Reuters)

A knife is seen beside a bowl containing blood after a ram was killed as a sacrifice in front of a shrine at the annual voodoo festival in Ouidah, Benin, January 10, 2016. In Ouidah, a small town and former slave port in the West African country of Benin, the annual voodoo festival gathers visitors from far and wide. It's a week that brings together priests and dignitaries, rich and poor, locals and visitors from as far afield as the Caribbean and France. The festival commemorates the estimated 60 million people who lost their homelands and their freedom during the African slave trade. (Photo by Akintunde Akinleye/Reuters)

Members of the Times Square Alliance snow clearing team take a photo on a snowbank at Times Square in the Manhattan borough of New York January 23, 2016. A winter storm dumped nearly 2 feet (58 cm) of snow on the suburbs of Washington, D.C., on Saturday before moving on to Philadelphia and New York, paralyzing road, rail and airline travel along the U.S. East Coast. (Photo by Shannon Stapleton/Reuters)

Larissa Neto, a muse of the Unidos da Tijuca Samba School, poses as she wears a carnival dress in Sao Goncalo near Rio de Janeiro, Brazil, February 3, 2016. Rio de Janeiro's carnival parades are known the world over for the glitz and glamour, high-tech allegorical floats and shimmering bodies, which battle it out each year for the championship title. Each school is fronted by the Queen of the Drums, who dances alongside the raging percussion, and her court of sparkling, sculpted dancers known as “muses”. (Photo by Ricardo Moraes/Reuters)