Poland's Piotr Lisek reacts after competing in the men's pole vault qualification during the Tokyo 2020 Olympic Games at the Olympic Stadium in Tokyo on July 31, 2021. (Photo by Aleksandra Szmigiel/Reuters)

Greece's Apostolos Angelis (L) and Austria's Felix Leitner compete during the men's 20 km individual event of the IBU Biathlon World Championships in Nove Mesto, Czech Republic on February 14, 2024. (Photo by Joe Klamar/AFP Photo)

Bernabe Zapata Miralles of Spain serves to Novak Djokovic of Serbia during their Men's Singles match at the 2023 US Open Tennis tournament at the USTA Billie Jean King National Tennis Center in New York on August 30, 2023. (Photo by Timothy A. Clary/AFP Photo)

Men play with an oiled coconut during Myanmar's 73rd Independence Day celebrations amid the spread of the coronavirus disease (COVID-19) in Yangon, Myanmar, January 4, 2021. (Photo by Shwe Paw Mya Tin/Reuters)

Naga Sadhus, or Hindu holy men, participate in the procession for taking a dip in the Ganges river during Shahi Snan at “Kumbh Mela”, or the Pitcher Festival, amidst the spread of the coronavirus disease (COVID-19), in Haridwar, India, April 12, 2021. (Photo by Danish Siddiqui/Reuters)

Kenya's Reynold Cheruiyot (centre L) and Britain's athlete Jake Wightman fall after crossing the finish line in the men's 1500m final during the World Athletics Championships in Tokyo on September 17, 2025. (Photo by Jewel Samad/AFP Photo)

A Colombian Nukak Maku Indian boy gestures in a refugee camp at Agua Bonita near San Jose del Guaviare of Guaviare province September 3, 2015. Since emerging from the jungle in 2005, half naked and carrying blowpipes, the Nukak have lived in settlements near the frontier town of San Jose del Guaviare, a humid outpost in the Amazon 400 km (250 miles) southeast of the capital Bogota. (Photo by John Vizcaino/Reuters)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.