A girl holds her brother in her arm as black smoke rises after an oil well set on fire in the center of al-Kayyara town to the south of Daesh terror organization-held Mosul in Iraq on October 25, 2016. The oil well in the center of al-Kayyara town, which was set alight by retreating Daesh militants in advance of the Iraqi army's takeover of the town on August 24, 2016 has still not entirely been put out. The raw petrol which is still alight is creating black clouds above the city. The residents and wildlife beneath this polluting smoke cloud may find their health at risk. The effects of the fire in the town center on unprotected civilians' health can easily be seen on the hands and faces of children playing on the street. (Photo by dris Okuducu/Anadolu Agency/Getty Images)

This handout photo taken on February 12, 2017 and released on February 16 by the International Federation of Red Cross and Red Crescent Societies (IFRC) shows Mongolian herder Munkhbat Bazarragchaa (C) dragging two sheep – which recently died due to the weather - to a pile of dead animals behind his “ger” in Khuvsgul province, northern Mongolia. Thousands of Mongolian herders face disastrous livestock losses from dreaded severe weather known as the “dzud”, the Red Cross said on February 16, 2017 in launching an international emergency aid appeal. (Photo by Mirva Helenius/AFP Photo/IFRC)

Myanmar punks walk in the downtown area as they take part in a punk gathering ahead of the Thingyan water festival in Yangon, Myanmar, 12 April 2017. Myanmar punks have been gathering in Yangon on the day ahead of Thingyan water festival to celebrate every year. The annual water festival is marked with large groups of people congregating to celebrate by splashing water and throwing powder at each others faces as a symbolic sign of cleansing and washing away the sins from the old year to mark the traditional New Year in countries such as Myanmar, Thailand, Laos and Cambodia. This year, the Myanmar Thingyan water festival falls on 13 April and ends on 16 April. (Photo by Lynn Bo Bo/EPA)

Nyibol Lual, 13 years old, helps her family to prepare the land for cultivation on May 31, 2017, in Panthau, Northern Bahr al Ghazal, South Sudan. The family has a small land where they cultivate sorghum. An estimated 63 per cent of the population in Northern Bahr al Ghazal is experiencing severe food insecurity, according to the latest Integrated Food Security Phase Classification (IPC) report. The situation is particularly bad in Aweil West and Aweil South counties, where the exhaustion of household food stocks and growing dependence on financially inaccessible markets have left the population facing Emergency levels of food insecurity. (Photo by Albert Gonzalez Farran/AFP Photo)

A boy sitting with his family looks up at a traditional Chinelo costumed dancer during a celebration 40 days after the birth of Jesus, in Xochimilco on the outskirts of Mexico City, February 2, 2015. The tradition of the Chinelo dates back to colonial times and the outfits and masks, which are supposed to resemble the faces of the Europeans and always sport an uptilted beard, became more elaborate between the 1800s and 1900s to make fun of the upper social classes. (Photo by Edgard Garrido/Reuters)

We all have our own ways of passing time on our daily commutes. Some people read, others try to sleep, and many listen to music or play on their phones. But one creative commuter has a simple and highly entertaining way that hopefully more people will embrace. By placing a face from a newspaper in front of a person at just the right angle, they transform other commuters into recognizable celebrities while keeping the unbeknownst participant obscured.

Karl Bang's paintings are unique because he combines totally different styles of painting within the same format. It is very difficult to design a balanced composition with realistic elements that are juxtaposed with flat colors and patterns. The faces of his subjects are painted realistically in the Western tradition with subtle gradations of color; while, his figures and costumes vignette into abstracted shapes, lines, flat colors and patterns that reflect Karl's background in China. It is as though there are different visual languages being spoken within his paintings.

“An artist has slammed junk food culture by creating shocking portraits of models covered in burgers, fries and even ketchup. Some of James Ostrer’s pictures resemble one of Willy Wonka’s nightmares as he uses liquorice for eyes and strawberry bootlaces for hair. In others, the 35-year-old smears his models’ faces with tears of ketchup and uses burgers, fries and sausages for facial features. James made the mouth-watering monstrosities to show the rampant consumption of junk food and how it affects our moods”. – Caters News