A participant of the sled dogs race in action with the dogs in Stroehen (Lower Saxony), Germany, 18 October 2015. It is the first round of the North German Championship. (Photo by Peter Steffen/EPA)
A demonstrator jumps from a vehicle of the Organisation for Security and Co-operation in Europe (OSCE) during a protest to demand what protesters say is true information from the OSCE about the shelling in Donetsk, Ukraine (since April 2014, the city is the administrative centre of the Donetsk People's Republic), July 23, 2015. The graffiti reads, “Stop moronic war!”. (Photo by Alexander Ermochenko/Reuters)
A machine engraves information on an ingot of 99.99 percent pure gold at the Krastsvetmet non-ferrous metals plant, one of the world's largest producers in the precious metals industry, in the Siberian city of Krasnoyarsk, Russia October 24, 2016. (Photo by Ilya Naymushin/Reuters)
Residents make their way along a fence as they try to cross a flooded street after heavy rainfall hit Wuhan, Hubei province, China, July 23, 2015. Severe downpours hit the city on Thursday, flooding streets and shutting down public transportations, local media reported. (Photo by Reuters/China Daily)
Tactics reminiscent of the early American frontier days are now being used in Vietnam. Lieutenant Commander Donald D. Sheppard, UBN, of Coronado, California, aims a flaming arrow at a bamboo hut concealing a fortified Viet Cong bunker on the banks of the Bassac River, Vietnam on December 8, 1967. (Photo by AP Photo)
Following a large air raid by German bombers, local people, coming out of their air raid shelters found a bus standing on end in a large crater, in Balham, London, October 15, 1940. (Photo by AP Photo)
A Ukrainian serviceman from an anti-drone mobile air defence unit uses his mobile device near a ZU-23-2 anti aircraft cannon as he waits for Russian kamikaze drones, amid Russia's attack on Ukraine, in Kherson region, Ukraine on June 11, 2024. (Photo by Ivan Antypenko/Reuters)
Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)