Photographer Anna Radchenko explores this theme in her project “Reverse Side of a Mother’s Love,” where mother love becomes more than just mother-daughter relationship and causes some strange feelings. She visualizes, sadly, typical psychological problems in parent-child relationship: unrealized wishes of the parents, excessive strictness, total control and overprotection.

A statue of The Earl of Beaconsfield looks on as a giant mechanical spider sits on the side of the derelict Concourse tower in Liverpool city centre on September 3, 2008 in Liverpool, England. The 50ft tall spider was commissioned for the city's European Capital of Culture year and will begin moving to explore the city operated by artists from French theatre company La Machine. (Photo by Christopher Furlong/Getty Images)

Architectural photographer Victor Enrich has shared with ArchDaily a series of 88 images — one for every key in the classical piano — exploring the various formal possibilities of the NH Deutscher Kaiser Hotel in Munich, Germany. “I found it beautiful,” says Enrich, “to connect two distinct artistic disciplines such as photography and computer graphics with the piano.” See further illustrations and read a full description of his thought process following the break.

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)

In this May 3, 2016 photo provided by the New York State Department of Environmental Conservation, a deer with its head caught in the globe from a lighting fixture over its head stands in the woods in Centereach, N.Y. The deer was able to extricate itself with the help of Environmental Conservation Officer, Jeff Hull. Hull wrestled with the deer for a while and the globe shook free in the process. (Photo by New York State Department of Environmental Conservation via AP Photo)