Sarah Bui poses for photographer, Brian Le around blossoming cherry trees, near the Tidal Basin on Thursday March 23, 2017 in Washington, DC. (Photo by Matt McClain/The Washington Post)

France's Simon Billy gets ready to practice speed skiing on the Chabriere ski slope in Vars, on March 29, 2017. (Photo by Jean-Pierre Clatot/AFP Photo)

A woman looks at cows on the Mare e Sol beach in Coti-Chiavari, on the French Mediterranean island of Corsica, on May 17, 2017. A herd of some thirty wild cattle take up their summer residence on stretch of beach each year. (Photo by Pascal Pochard-Casabianca/AFP Photo)

Roger Moore fights with Richard Kiel, as Jaws, who bites through a board in a scene from the film “The Spy Who Loved Me”, 1977. (Photo by United Artist/Getty Images)

In this Friday, January 7, 2011 photo, people carry baskets of coal scavenged illegally at an open-cast mine in the village of Bokapahari in the eastern Indian state of Jharkhand where a community of coal scavengers live and work. The world's biggest coal users – China, the United States and India – have boosted coal mining in 2017, in an abrupt departure from last year's record global decline for the heavily polluting fuel and a setback to efforts to rein in climate change emissions. (Photo by Kevin Frayer/AP Photo)

A detail shows the shoes of member of the “Luigi De Laurentiis” award jury, US actress Tessa Thompson as she arrives on September 5, 2022 for the screening of the film “Don't Worry Darling” presented out of competition as part of the 79th Venice International Film Festival at Lido di Venezia in Venice, Italy. (Photo by Tiziana Fabi/AFP Photo)

People stand in front of a black ribbon, symbolising remembrance and mourning, being projected onto the Sydney Opera House on February 9, 2023 in solidarity with Turkey and Syria after a massive earthquake devastated the two countries. (Photo by David Gray/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)