In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

A woman looks out of the window of a house as saris, traditional clothing worn by women, are hanged out to dry in Lalitpur, Nepal on April 17, 2019. (Photo by Navesh Chitrakar/Reuters)

Germany's Rebecca Knaak kicks the ball during the Women's Nations League final soccer match between Spain and Germany in Madrid, Spain, Tuesday, December 2, 2025. (Photo by Bernat Armangue/AP Photo)

A Belarusian law enforcement officer approaches women, who react while sitting on the pavement during a rally of opposition supporters following the presidential election in Minsk, Belarus on August 10, 2020. Belarusian police clashed with protesters on Monday after the opposition accused President Alexander Lukashenko of rigging his re-election victory amid a chorus of criticism from Western leaders. (Photo by Vasily Fedosenko/Reuters)

A street side fruit vendor has his face covered as a precaution against the coronavirus in Kolkata, India, Tuesday, July 21, 2020. With a surge in coronavirus cases in the past few weeks, state governments in India have been ordering focused lockdowns in high-risk areas to slow down the spread of infections. (Photo by Bikas Das/AP Photo)

A man rides a golden motorbike on a street in Bangkok, Thailand on August 14, 2020. (Photo by Jorge Silva/Reuters)

Students wearing masks rest amid the coronavirus disease (COVID-19) pandemic in Seoul, South Korea, August 25, 2020. (Photo by Kim Hong-Ji/Reuters)

St. Senans' Aoife Allen competing in the Women's 3000m Steeplechase at Morton Stadium in Santry, Co. Dublin ob August 30, 2020 during the 2020 National Track & Field Championships. (Photo by Morgan Treacy/INPHO/Rex Features/Shutterstock)