Revellers dressed in mock military garb take part in the “Els Enfarinats” battle in the southeastern Spanish town of Ibi on December 28, 2017. During this 200-year-old traditional festival participants known as Els Enfarinats (those covered in flour) dress in military clothes and stage a mock coup d'etat as they battle using flour, eggs and firecrackers outside the town hall as part of the celebrations of the Day of the Innocents. (Photo by Jaime Reina/AFP Photo)

Young artists perform at the presentation of clowns in a hall of the Arts Palace during the first clown festival in Belarus in Bobruisk, some 150 km from Minsk, Belarus, 01 April 2018. About 60 clowns from Belarus and Russia gathered to entertain spectators. For 1 day Bobruisk became a capital of Jokes and Humour. Theaters of clownery, mime-theaters, individual performers of humorous genre, stilts and hospital clowns performed on a stage of the Palace of Arts. (Photo by Tatyana Zenkovich/EPA/EFE)

A large Mantle or Desk Clock featuring a fossil ammonite at its center, carved from the South American wood Keolbra with radiating Walnut spines. The clock hangs on a round, Plexiglass back supported by a wood base (Bubinga). The clockworks is a quartz, high-torque movement that runs on a single AA battery.

These powerful images capture the spear-wielding tribes of Papua new Guinea who believe they are possessed with the spirit of the crocodile. They show how the Kangunaman clansmen scar their backs to resemble reptile scales while the Huli Wigmen wear elaborate headdresses to signal they are ready for battle. (Photo by Trevor Cole/Media Drum World)

Revellers chase a bull into the sea during the “Bous a la Mar” festival on July 14, 2011 in Denia, Spain. The Spanish “Bous a la Mar” or “Bulls to the Sea” festival is held in honour of the Santisima Sangre and commemorate a monk named Pedro Esteve, who, as the legend has it, saved the coastal town of Denia from a plague in 1633. The bulls chased into the sea are later brought back to land by small boats. (Photo by Jasper Juinen/Getty Images)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

A child, from Municipal school Parana, poses during the project “Fencing School” in Rio de Janeiro, Brazil, March 30, 2016. Children in Rio de Janeiro lift their sights and their swords to new idols, as a round of fencing workshops takes to public schools. The International Fencing Federation, together with the Brazilian and state federations, will reach 40 public schools in March and April. The aim is to whip up a following for the Olympic sport, little known in the soccer-mad nation, as Rio sets the stage for the Summer Games in August. (Photo by Sergio Moraes/Reuters)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.