Relatives of community leader Josemano “Badou” Victorieux, one of the victims of clashes with the Police, cry during his funeral in Port-au-Prince, Haiti, 16 October 2019. The protest movement in Haiti completes a month with no sign of remitting and without the President, Jovenel Moise, yielding to the voices that require him to resign. (Photo by Orlando Barria/EPA/EFE)

Nepal's Kumari, or living goddess, adjusts her ornament as she watches the Rato Machindranath chariot Festival in Lalitpur, Nepal, Friday, April 24, 2015. Nepal's living goddesses are young pre-pubescent girls considered by devotees to be incarnations of a Hindu goddess. Selected as toddlers, living goddesses usually keep their positions until they reach puberty. (Photo by Niranjan Shrestha/AP Photo)

A high temperature alerts were issued as a record-setting summer heat wave continued to bake most parts of south China. (Reuters)

Russia's Kamila Valieva performs during the Exhibition Gala at the Rostelecom Cup 2021 ISU Grand Prix of Figure Skating in Sochi on November 28, 2021. (Photo by Dimitar Dilkoff/AFP Photo)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)

Annual celebration of Dinagyang festival of Iloilo, Philippines. (Photo by Raniel Jose Castañeda/Sony World Photography Awards)