While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

Pantless people stand on a subway platform on January 13, 2013 in New York City. Thousands of people participated in the 12th annual No Pants Subway Ride, organized by New York City prank collective Improv Everywhere. During the afternoon winter event, participants boarded separate subway stops and removed their pants, pretending that they did not know each other. The event, refered to as a “celebration of silliness” is designed to make fellow subway riders laugh and smile. (Photo by Timothy A. Clary/AFP Photo)

Going nowhere in a hurry, this friendly Javan Tree frog can be seen casually hopping aboard the slow-paced snail who like a lonely highway trucker is only too happy to have the company. These cute critters chew the fat until froggy reaches his destination and alights at the top of the branch. Creative Designer and amateur photographer Kurit Afsheen (34) was able to capture this special sequence while out in his back garden in Ciledug, Indonesia. (Photo by Kurit Afsheen/Media Drum World)

In this Friday, March 3, 2017 photo, a ribbon on a staff member's outfit blows in the breeze as she arrives for the opening session of the Chinese People's Political Consultative Congress (CPPCC) at the Great Hall of the People in Beijing. The annual session of China's ceremonial legislature is designed to awe onlookers with its size and sweep, yet the experience is also made up of tiny moments, details that point to the personalities of the participants and the event's unique, sometimes quirky, traits that a casual observer might easily miss. (Photo by Mark Schiefelbein/AP Photo)

BERLIN, GERMANY - NOVEMBER 11: Sculptor Oleg Bessonov creates a rosette from clay at the Schlossbauhuette studio where a team of sculptors is creating decorative elements for the facade of the Berliner Schloss city palace on November 11, 2011 in Berlin, Germany. The Berliner Schloss was the residence of the Prussian Kaiser and was among the major architectural landmarks of Berlin until it was heavily damaged by Allied bombing in 1945. The communist authorities of East Berlin demolished the building in the 1950s, and today's Berlin government is pursuing an ambitious project to rebuild the palace according to a design by Italian architect Franco Stella, which will recreate the facade of the building but with a modern interior at a cost of approximately EUR 590 million. The Humboldt Forum, the foundation leading the project, has given the Schlossbauhuette sculptors the formidable task of recreating the hundreds of architectural elements that decorated the facade, and though some original pieces were saved, more often the sculptors have only old black and white photos as reference. (Photo by Sean Gallup/Getty Images)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Automated guided vehicle robot “Ray” lifts up an Audi car during a pilot project at the parking area of the Audi plant in Ingolstadt, Germany, May 13, 2015. The robot has been designed to help make work more efficient and more comfortable for employees, some whom walk up to eight kilometres a day, while coordinating the finished cars for the subsequent train transportation. “Robot Ray” technology, currently being used at Dusseldorf International Airport in Germany, claims to be able to park 60 per cent more vehicles in one area compared with a human driver. (Photo by Michaela Rehle/Reuters)