In this Thursday, May 8, 2014 photo, Iranian coal miners push metal carts to be loaded with coal at a mine near the city of Zirab 212 kilometers (132 miles) northeast of the capital Tehran, on a mountain in Mazandaran province, Iran. International sanctions linked to the decade-long dispute over Iran's nuclear program have hindered the import of heavy machinery and modern technology in all sectors, and coal mining is no exception. (Photo by Ebrahim Noroozi/AP Photo)

A woman spends her time outdoors to observe the ancient festival of Sizdeh Bedar, an annual public picnic day on the 13th day of the Iranian new year, at the Tochal mountainous area northern Tehran, Iran, Sunday, April, 2, 2017. Sizdeh Bedar, which comes from the Farsi words for “thirteen” and “day out”, is a legacy from Iran's pre-Islamic past that hard-liners in the Islamic Republic never managed to erase from calendars. (Photo by Ebrahim Noroozi/AP Photo)

A young Iranian woman walks in Tehran on June 14, 2021, ahead of the June 18 presidential elections. Iran is gearing up for a presidential election on June 18 but many young people are more focussed on the daily struggle to survive and their dreams for the future. Jobs are scarce in a recession-hit economy battered by sanctions, a crisis exacerbated by the region's worst outbreak of the Covid pandemic. (Photo by Atta Kenare/AFP Photo)

A view of the world's highest 280-meter bungee jumping platform opened at the Milad Tower, a landmark in the Iranian capital Tehran, on September 11, 2024. The world's highest bungee jumping platform attracts great interest among the younger generation in Iran, especially women. Those who jump from the platform experience an unforgettable adventure with the thrill of soaring down from a height of 280 meters while watching the view of Tehran from above. (Photo by Fatemeh Bahrami/Anadolu via Getty Images)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

A Felix Airways plane is seen after it was destroyed by an airstrike at the international airport of Yemen's capital Sanaa, April 29, 2015. Jets from a Saudi-led alliance destroyed the runway of Yemen's Sanaa airport on Tuesday to prevent an Iranian plane from landing there, Saudi Arabia said, as fighting across the country killed at least 30 people. Airport officials said the strikes set a civilian aircraft operated by Yemeni Felix Airways ablaze. (Photo by Khaled Abdullah/Reuters)

A supporter of the Houthis has a poster attached to his waist of Iranian Major-General Qassem Soleimani, head of the elite Quds Force, who was killed in an air strike at Baghdad airport, during a rally to denounce the U.S. killing, in Saada, Yemen January 6, 2020. The writing on the poster reads: “God is the Greatest, Death to America, Death to Israel, Curse on the Jews, Victory to Islam”. (Photo by Naif Rahma/Reuters)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)