A view of an installation as part of the “S.A.C.R.E.D” exhibition by Chinese artist Ai Weiwei during the 55th La Biennale of Venice, in the church of Sant'Antonin in Venice May 28, 2013. (Photo by Stefano Rellandini/Reuters)

“Teenager Teenager”, an installation by the collaborative Chinese artists Sun Yuan and Peng Yu, at the exhibition “Crazy. Madness in contemporary art” in Rome on February 18, 2022. (Photo by Gloria Imbrogno/LiveMedia/Rex Features/Shutterstock)

A woman visits the mirror installation “Mar de Espelhos” (Sea of Mirrors) ahead of its opening in Rio de Janeiro, Brazil on June 13, 2023. (Photo by Ricardo Moraes/Reuters)

Laura Ford’s 1991 sculpture Twiglet has been installed at Thirsk Hall Sculpture Garden, North Yorkshire, UK in the last decade of April 2024. (Photo by James Glossop/The Times)

A man stands by an installation depicting “2019” in the Red Square in Moscow, Russia on December 17, 2018. (Photo by Maxim Shemetov/Reuters)

Tourists visit an art installation of colorful umbrellas on November 10, 2022 in Nanjing, Jiangsu Province of China. (Photo by VCG/VCG via Getty Images)

Egyptian 26-year-old dancer Nadine El Gharib, dances on the rooftop of her home in Cairo, Egypt, Monday, September 27, 2021. “Dance was crucial when COVID-19 started in terms of taking care of my well-being”, Gharib said. “When restrictions forced us to stop going to the Opera for classes I started online dance and it introduced me to a new world of dance. It was very inspiring”. (Photo by Nariman El-Mofty/AP Photo)

A woman kneels down to pray at a “Pray and swipe right” event organised by online dating app Tinder, with social-distancing stickers featuring its flame logo on the praying ground, a photo booth where people can take profile pictures for their new accounts, and free offering sets, at the Trimuriti shrine on Valentine's Day in Bangkok, Thailand February 14, 2022. (Photo by Soe Zeya Tun/Reuters)