The Soulton Long Barrow in Shropshire, UK on January 5, 2025. The main chamber is aligned so that at winter solstice and for a few weeks after, the sun sets directly through the stained glass door, resulting in a beautifuil rainbow of light to flood through the chamber. (Photo by Andrew Fusek Peters/South West News Service)

“Still” also known as the “Mirror Man”, created by artist Rob Mulholland which symbolises the physical and spiritual relationship between humans and the natural world, has returned to Loch Earn in St. Fillans on May 9, 2025 after being removed in 2017 due to storm damage. (Photo by Lesley Martin)

People look at a skeleton couple kissing installation dubbed “Till Death Do Us Part” during a Valentine's Day event in Bucharest, Romania, Tuesday, February 13, 2024. (Photo by Vadim Ghirda/AP Photo)

Laura Ford’s 1991 sculpture Twiglet has been installed at Thirsk Hall Sculpture Garden, North Yorkshire, UK in the last decade of April 2024. (Photo by James Glossop/The Times)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)

Visitors stand next to the artwork “No, 2021” by Italian visual artist Maurizio Cattelan displayed at the gallery Gagosian during the Art Basel fair for Modern and contemporary art, in Basel, on June 17, 2025. The fair will open to the public from June 19 to June 22, 2025, featuring over 290 leading galleries and more than 4,000 artists from five continents. (Photo by Fabrice Coffrini/AFP Photo)

A woman looks at artwork called “Alphabetti Spaghetti” by British sculptor Alex Chinneck, one of a series of “knotted” postboxes, installed as part of a public art trail for Kensington & Chelsea Art Week on October 3, 2020. (Photo by Victoria Jones/PA Images via Getty Images)

Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)