A street food vendor waits for customers on a footpath in New Delhi, India, November 27, 2018. (Photo by Anushree Fadnavis/Reuters)

An Afghan man prepares tea for customers at a roadside tea shop on the outskirts of Jalalabad February 2, 2015. (Photo by Reuters/Parwiz)

Women wait for customers at the fish harbour in Kasimedu Fish market, Chennai, India, on June 26, 2024. (Photo by Riya Mariyam R./Reuters)

Customers ride escalators at a shopping mall in central Moscow, Russia on March 2, 2019. (Photo by Mladen Antonov/AFP Photo)

Afghan balloon vendors walk with their bicycles to look for customers, near a market in Kabul on January 8, 2025. (Photo by Wakil Kohsar/AFP Photo)

Located in Kunshan, eastern China, the restaurant relies on over a dozen machines for tasks such as greeting customers, waiting on tables and cooking basic meals. The eatery becomes the third café in the world to rely on the use of robot employees, potentially giving a glimpse into how future businesses could operate. Photo: This photo taken on August 13, 2014, shows a robot carrying food to customers in a restaurant in Kunshan. It's more teatime than Terminator – a restaurant in China is electrifying customers by using more than a dozen robots to cook and deliver food. (Photo by Johannes Eisele/AFP Photo)

Frank Melech is a german artist that works with illustration and digital compositing. What we’re bringing you here today is a slice of such work that we thought, besides remarkably talended, highly creative, because Frank Melech starts with a light bulb, a universal symbol of Idea but also a metaphor for an enclosed but transparent world, and inserts in them precisely other worlds and ideas.

Thailand’s Sanctuary of Truth is an all-wood building filled with sculptures based on traditional Buddhist and Hindu motifs. It is covered in intricate wood carvings, meant to depict complex ideas about ancient thought, human responsibility, and the cycle of life. (Photo by Yury Taranik/Getty Inages)