The face of a graduating student is displayed on a tablet attached to a robot during a “cyber graduation” ceremony at a school on May 22, 2020 in Taguig, Metro Manila, Philippines. Robots represented some 179 graduating students of the Senator Rene Cayetano Science and Technology High School during a graduation ceremony that was streamed online, as mass gatherings remain prohibited in the country under the Philippine government's lockdown to curb the spread of the coronavirus. The robots were developed by alumni of the school's robotics club, which used tablets to display the faces of the graduating students as they “marched” on stage to receive their diplomas. The Philippines' Department of Health has so far reported 13,434 cases of the coronavirus in the country, with at least 846 recorded fatalities. (Photo by Ezra Acayan/Getty Images)

Shot by Bert Hardy, the black and white images show prisoners carrying out remedial tasks such as untying knots in post office string and sewing mail bags. Other intriguing shots show lags doing their daily one hour outdoor exercise, being frisked for contraband items by officers during a routine “rub down” and serving evening meals. Strangeways was designed by Alfred Waterhouse and cost £170,000 ($207,910) to build. The prison, famed for its prominent ventilation tower and imposing design, has become a local landmark. Here: A prison officer frisking prisoners during the “rub-down” at Strangeways Prison in Manchester, UK on November 1948. (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

These adorable rat portraits were taken by a committed photographer who’s made it her mission to remove the stigma attached to the creatures. Diane Ozdamar’s vibrant images feature rodents cutely cuddling flowers, eating fruit, playing with bubbles, and lovingly interacting with each other. The 32-year-old photographer, who lives in Montreal, Canada, shot her «Fancy Rats» series over a number of years. (Photo by Diane Ozdamar/Caters News)

Located at La Casa Del Arbol or “The Treehouse” in Baños, Ecuador, this small house was built for the stunning view on the Tungurahua Volcano it offers. But the real attraction is the swing attached to one of the tree's branches. It is far from your average swing, and it is surnamed the "Swing at the End of the World" for a good reason. Located off a giant cliff at over 2,600 meters above sea level and with absolutely no safety features, this swing promises a serious thrill to whoever is brave enough to ride it.

Surfer Gary Clisby rides his foil board on a morning swell of the coast of Carlsbad, California on May 23, 2018. Harnessing the “foiling” technology more typically seen on racing catamarans in sailing's America's Cup, the surfboards appear to fly above the water thanks to a fin attached to the bottom of the board. (Photo by Mike Blake/Reuters)

Captured by South African photographer Dillon Marsh, these fantastic photographs depict the many designs employed by sociable weavers to build sturdy nests that are safe from intruders such as cobras and tree snakes. They are also nice cool during the day, and stay warm during cold desert nights. A University of Stellenbosch graduate, Marsh is currently interested in landscape photographer who seeks out anomalies that can be arranged in a photographic series. Assimilation depicts scores of intricate weaver’s nests atop utility poles in Southern Africa. Colonies of sociable weavers have been known to stay attached to one particular nest for up to 100 years, according to The San Diego Zoo.