Pictures of deceased people are seen inside a chapel at a cemetery in the village of Smoljinac, Serbia, October 25, 2016. From a distance, the cemetery in the eastern Serbian village of Smoljinac looks like a residential neighbourhood eerily placed among graves. But once inside the grounds, after passing a section with the usual stone slabs, visitors find rows of small bungalows painted in pastel colours. They have one or two rooms, large windows and ornate plaques – some inside, some outside – memorialising the deceased. These are the burial chapels of Smoljinac, cosy cabins with a furnished room inside, a storage place for wreaths and funeral paraphernalia, and the family crypt below. Some even have electric power inside. (Photo by Marko Djurica/Reuters)

Serbian police officers of the Special Anti-Terrorist Unit pose for a picture in their base outside Belgrade October 8, 2014. When the killing of an unarmed black teenager by a white policeman in Ferguson, Missouri, in August sparked sometimes violent protests, the response of police in camouflage gear and armoured vehicles wielding stun grenades and assault rifles seemed more like a combat operation than a public order measure. Some U.S. police departments have recently acquired U.S. military-surplus hardware from wars abroad, but there are many law enforcers around the world whose rules of engagement also allow the use of lethal force with relatively few restrictions. But for every regulation that gives police wide scope to use firearms, there is another code that sharply limits their use. In Serbia, police may use measures ranging from batons to special vehicles, water cannon and tear gas on groups of people who have gathered illegally and are behaving in a way that is violent or could cause violence, but they may use firearms only when life is endangered. (Photo by Marko Djurica/Reuters)

A guest proposes to his companion as they arrive for the screening of “Mektoub, My Love: Intermezzo” during the 72nd annual Cannes Film Festival, in Cannes, France, 23 May 2019. The movie is presented in the Official Competition of the festival which runs from 14 to 25 May. (Photo by Julien Warnand/EPA/EFE)

German-American model and television host Heidi Klum arrives for the screening of “La Passion de Dodin Bouffant (The Pot-au-Feu)” during the 76th annual Cannes Film Festival, in Cannes, France, 24 May 2023. The movie is presented in the Official Competition of the festival which runs from 16 to 27 May.(Photo by Sebastien Nogier/EPA)

A worker works on a “Transformers” replica on the outskirts of Shanghai, June 18, 2014. Li Lei, owner of a small factory, uses his spare time and money to build “Transformers” replicas for rent or sale. The new Transformers movie, which is premiering later this month, has brought the factory many new orders, according to Li. (Photo by Aly Song/Reuters)

Taken by photographer, Denis Budkov, 33, the Plosky Tolbachik is one of a cluster of volcanoes located in the Kamchatka Peninsula in the far east of Russia. After taking a lucky group of tourists to the crater of the flat volcano, the Russian photographer managed to get less than 300 metres away from the spurting jets of lava. Photo: The underground entrance to the volcano resembles a scene from the latest Hobbit movie. (Photo by Denis Budkov/Caters News)

British model Jourdan Dunn arrives for the premiere of “The Killing of a Sacred Deer” during the 70th annual Cannes Film Festival, in Cannes, France, 22 May 2017. The movie is presented in the Official Competition of the festival which runs from 17 to 28 May. Dress by Elie Saab Haute Couture. (Photo by Julien Warnand/EPA)

A worker puts the final touch to a replica of a giant eagle and pharaons made with lemons and oranges which shows a scene of the movie “Cleopatra” during the Lemon festival in Menton, southern France, February 10, 2016. Some 140 metric tons of lemons and oranges are used to make displays during the 83rd festival, which is themed “Cinecitta”, and runs from February 13 through March 2. (Photo by Eric Gaillard/Reuters)