A visitor to The Brooklands Double Twelve Motorsport Festival admires a 1914 Morgan Three Wheeler in front of a Hawker P1127 prototype jet aircraft on June 18, 2011 in Weybridge, England. Two hundred vintage cars are competing in various races, tests and speed trials over the two day event held at the Brooklands Museum. Brooklands was the world's first purpose-built, permanent motorsport venue that opened in 1907. (Photo by Peter Macdiarmid/Getty Images)

The unromantic gypsies. Children boxing in a gypsy camp in Kent, England on July 1, 1951. Like all boys these gypsy lads like to try their hand at boxing. Encouraged by their friends they fight it out on Corke's Meadow. Few Romanies now live a life of wandering romance. Most are like the three hundred squatters of Corke's Meadow, Kent, which is part of a “gypsy problem” that involves about 100,000 today. Of those about 25,000 can be rightly called gypsies, the rest are Mumpers and Posh-rats and Hobos. Corke's Meadow has both kinds. “Picture Post” cameraman Bert Hardy photographs the Corke's Meadow gypsies in their encampment. (Photo by Hulton-Deutsch Collection/Corbis via Getty Images)

A health worker shows an empty syringe after inoculating a woman with AstraZeneca's COVID-19 vaccine during the first day of a nationwide three-day vaccination drive at a school in Quezon city, Philippines on Monday, November 29, 2021. There has been no reported infection so far caused by the new variant in the Philippines, a Southeast Asian pandemic hotspot where COVID-19 cases have considerably dropped to below 1,000 each day in recent days, but the emergence of the Omicron variant has set off a new alarm. (Photo by Aaron Favila/AP Photo)

Aerialist Erin Blaire, 33, performs a hair hanging trick for a photographer while hanging from a metal bar on a subway platform on March 14, 2023 in New York City. Erin Blaire, originally from Vermont, has lived in New York City for eight years and has been performing her aerial hair routine for the last three. The origin of hair hanging is believed to have originated in China, according to reports, and is a closely guarded circus trick passed from mentor to mentee. Although it is possible to find the technique and secrets online it is most-likely not how professional performers learned the skillset, and not how Blaire did either. (Photo by Alexi Rosenfeld/Getty Images)

A girl holds up a photo of Pope Benedict XVI which reads “tear his face” during a protest against the World Youth Day 2011 celebrations taking place on August 17, 2011 in Madrid, Spain. Initiated by Pope John Paul II in 1985, World Youth Day youth-oriented events for the celebration of the Catholic faith are held every three years in a different country; this time in Madrid from August 16 – 21, with Pope Benedict XVI in attendance. (Photo by Denis Doyle/Getty Images)

“MS Herald of Free Enterprise was a roll-on roll-off (RORO) car and passenger ferry owned by Townsend Thoresen. She was one of three ships commissioned by the company to operate on the Dover–Calais route across the English Channel. The ferry capsized on the night of 6 March 1987, moments after leaving the Belgian port of Zeebrugge, killing 193 passengers and crew. This was the deadliest maritime disaster involving a British ship in peacetime since the sinking of the Iolaire in 1919”. – Wikipedia

Photo: The wreck of the Herald of Free Enterprise, which capsized near Zeebrugge on the 6th of March 1987. (Photo by Hulton Archive/Getty Images). 1987

Festina lente (Latin for "make haste slowly") is a pedestrian bridge over the Miljacka River in Sarajevo. The bridge is 38 meters long and features an unusual looping in the middle, suggesting slowing down and enjoying the view. Conceptual design for the bridge was created by three students of the Academy of Fine Arts in Sarajevo: Adnan Alagic, Amila Hrustić and Bojana Kanlic. The bridge connects the Mak Dizdar embankment (close to the Academy) with Radic street. It was officially opened on 22 August 2012.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.