A student aims a stick of wood at Bolivarian National Police officers during clashes outside the Central University in Caracas, Venezuela, Thursday, June 9, 2016. Students had planned to march from Venezuela's top university to elections headquarters, but hundreds of police in riot gear blocked the way. Students covered their faces with Venezuelan flags and threw bottles, stones and sticks while police lobbed tear gas. (Photo by Fernando Llano/AP Photo)

The stone huts and streets of this Italian city look like a scene from a fairytale. The buildings you see before you are called trulli. The rise in popularity of such houses was in 19th century when they were constructed as storehouses and temporary field shelters or as permanent shelters by agricultural laborers and small proprietors. Wouldn’t it be amazing to own such a house? To become engulfed by the fairytale as you sip a cup of coffee, looking out of a small window onto a crowded street.

“Liu Bolin is an artist born in China’s Shandong province in 1973, and he earned his Bachelor of Fine Arts from the Shandong College of Arts in 1995 and his Master of Fine Arts from the Central Academy of Fine Arts in Beijing in 2001. His work has been exhibited in museums around the world. Also known as “The Invisible Man”, Liu Bolin's most popular works are from his “Hiding in the City” series; photographic works that began as performance art in 2005”. – Wikipedia. (Photo by Reuters/China Daily)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

Demonstrators help a fellow protester during clashes with security forces during an opposition rally in Caracas, Venezuela on April 4, 2017. Protesters clashed with police in Venezuela Tuesday as the opposition mobilized against moves to tighten President Nicolas Maduro' s grip on power. Protesters hurled stones at riot police who fired tear gas as they blocked the demonstrators from advancing through central Caracas, where pro- government activists were also planning to march. (Photo by Carlos Garcia Rawlins/Reuters)

People visit Chinese artist Huang Yongping's installation art work named “Leviathanation” at Tang Contemporary Art of 798 Art District on March 29, 2011 in Beijing, China. The exhibition named “Tracing The Milky Way” will be last until May 14. (Photo by Feng Li/Getty Images)

Doctor Boaz Zissu of the Bar Ilan University shows the inscription on a 2,000-year-old ossuary at the Rockefeller Museum on June 30, 2011 in Jerusalem, Israel. The Israel Antiquities Authority have confirmed the credibility of the ancient ossuary, otherwise known as a stone chest in which to store bones, as bearing the name of a relative of the high priest Caiaphas from the New Testament. Laboratory tests have come back saying that the inscription with the name of “Miriam daughter of Yeshua son of Caiaphas, priest of Maaziah from Beth Imri” is both “genuine and ancient”. (Photo by Uriel Sinai/Getty Images)

Mike De Paola, founding director of TW Fine Art, is seen near an art installation at “Feltz Bagels”, a bagel bakery made entirely from felt, at TW Fine Art in Montauk, New York, U.S. August 11, 2023. (Photo by Roselle Chen/Reuters)