Mah Chan, a Long Neck Padaung hill tribe woman weaves a scraf for sale to tourists in a small village where 30 familes live July 13, 2006 in Chiang Dao, Thailand. All the Long Neck villages are set up for tourists and just over a year ago the hill tribe members were hand picked to move closer to Chiang Mai from more remote communities so that they could be more accessible. The Padaung women famously wear brass rings around their necks, beginning at five-years-old, to distort the growth of their collarbones and making them look like they have long necks. They are originally from eastern Burma near the Thailand border. (Photo by Paula Bronstein/Getty Images)

A woman on a bicycle rides past the remains of an Audi sedan set afire by an arsonist recently in Zehlendorf district in a street where two more cars were torched on August 23, 2011 in Berlin, Germany. Police have so far made no arrests in a series of arson attacks that have destroyed at least 70 cars within the last week and show no signs of abating. In recent years several hundred cars have been torched annually and police suspect left-wing radicals. The recent series of attacks, averaging about 10 a day, has been particularly severe. (Photo by Sean Gallup/Getty Images)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

Aerial shots always amaze us by their magnificence. Human-sized footprints look like ant trails, trees resemble little pieces of broccoli, and landscapes are transformed into breathtaking images, which look like something that can be seen under a microscope. This set of pictures features surreal aerial shots of Botswana taken by Zack Seckler. In the past, to make these kinds of shots, someone had to go up in a helicopter to take a picture. However, today, such images can be easily made using quadcopters, such as DJI Phantom or any other. Thanks to the new technology, we are able to view our world in new ways, allowing us to better appreciate its complexity and beauty. (Photo by Zack Seckler)

A UFO enthusiast who found himself locked in the iconic Roswell museum has shared the pictures he took with aliens to pass the time. Chris Burton, from the U.K., had dreamed of visiting Roswell, N.M., since he was a child but was stunned when he found himself locked in the International UFO Museum and Research Center during a recent trip. The 42-year-old used the unique opportunity to get interactive with the usually out of bounds exhibits and set up some funny snaps with the extraterrestrials – posing for a beer with one alien and taking a nap with another. (Photo by Chris Burton/Caters News Agency)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

A breeder poses with fruits and specially made high-fibre bread, for 36-year-old giant panda Jia Jia, at the Hong Kong Ocean Park, China June 30, 2015. Jia Jia, the oldest giant panda living in captivity, is set to challenge the world record for the animals' longevity, with her age said to put her on par with a human centenarian. (Photo by Tyrone Siu/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.