An Indian girl student covers her face as a precaution against the coronavirus outbreak, in Mumbai, India, 12 March 2020. According to media reports, more than 70 people in India have tested positive for COVID-19. The World Health Organisation declared the novel coronavirus or COVID-19 as global pandemic. (Photo by Divyakant Solanki/EPA/EFE/Rex Features/Shutterstock)

Tourists wear protective masks in Sanur, Bali, Indonesia, 15 March 2020. Indonesia has around 80 active cases of Covid-19. More than 70,000 people worldwide have recovered from coronavirus, nearly half of the total infections recorded since the outbreak began. (Photo by Made Nagi/EPA/EFE)

A young arab boy, armed with a rifle and a knife, in the Aden Protectorate near Yemen. (Photo by Richards/Fox Photos/Getty Images). February 1938

Model feebee poses as part of art installation “Dazzle room” made by artist Shigeki Matsuyama at Room 32 fashion and design exhibition in Tokyo, Friday, February 19, 2016. Matsuyama's installation features a strong contrast of black and white, which he learned from dazzle camouflage used mainly in World War I, in Tokyo, Friday, Feb. 19, 2016. (Photo by Shuji Kajiyama/AP Photo)

Cheng Chen (R), a 27-year-old worker at a state-owned enterprise, poses for a photograph with his nephew who is wearing his home-made Iron Man armour, in Xuzhou, Jiangsu province April 13, 2015. It cost Cheng about 500 yuan ($81 USD) to make the armour, which weighs about 4 kilograms, with plastic boards and LED lights, local media reported. (Photo by Reuters/Stringer)

“«The Red Detachment of Women» (simplified Chinese: 红色娘子军) is a Chinese ballet which premiered in 1964. It is perhaps best known in the West as the ballet performed for U.S. President Richard Nixon on his visit to China in February 1972. Adapted from the earlier film of the same title under the personal direction of Zhou Enlai, which in turn adapted from the novel by Liang Xin, it depicts the liberation of a peasant girl in Hainan Island and her rise in the Chinese Communist Party”.

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)