Wearing his new prosthetic legs Hero gets a taste of shrubbery Wednesday, May 21, 2014, in Houston. The abandoned calf rescued from a Virginia farm a year ago and brought to Texas after it nearly died is getting permanent prosthetics to replace back hooves that had to be amputated because of frostbite. (Photo by Pat Sullivan/AP Photo)

Roma's Gianluca Mancini scores his team's goal in the 1-0 Rome derby victory over Lazio at Stadio Olimpico in Rome, Italy on April 6, 2024. (Photo by Alberto Lingria/Reuters)

Vanessa Low of the ACT competes in the Women's PA Senior Long Jump Final during the 2025 Australian Open and Under 20 Athletics Championships at WA Athletics Stadium on April 10, 2025 in Perth, Australia. (Photo by Cameron Spencer/Getty Images)

Lin Yufei and Gao Zijian of China perform in the gala exhibition on day three of the ISU Grand Prix of Figure Skating Cup of China at Huaxi Sports Center on November 8, 2020 in Chongqing, China. (Photo by Carlos Garcia Rawlins/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Annual celebration of Dinagyang festival of Iloilo, Philippines. (Photo by Raniel Jose Castañeda/Sony World Photography Awards)

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)