Myanmar punks walk in the downtown area as they take part in a punk gathering ahead of the Thingyan water festival in Yangon, Myanmar, 12 April 2017. Myanmar punks have been gathering in Yangon on the day ahead of Thingyan water festival to celebrate every year. The annual water festival is marked with large groups of people congregating to celebrate by splashing water and throwing powder at each others faces as a symbolic sign of cleansing and washing away the sins from the old year to mark the traditional New Year in countries such as Myanmar, Thailand, Laos and Cambodia. This year, the Myanmar Thingyan water festival falls on 13 April and ends on 16 April. (Photo by Lynn Bo Bo/EPA)

Restive woman driving. (Photo by Cultura Creative (RF)/Alamy Stock Photo)

This picture taken on October 18, 2018 shows a “trolley boy” pushing a home- made cart along a train track in Manila, Philippines. Scores of commuters in the city of about 12 million are propelled to their destinations daily by so-called “trolley boys” pushing metal carts that ply a few segments of the sprawling capital's railroads. (Photo by Noel Celis/AFP Photo)

Children play with weapons during Children's Day celebration at a military facility in Bangkok, Thailand January 14, 2017. (Photo by Jorge Silva/Reuters)

Scottish Fold cat is displayed during a cat exhibition in Bishkek, Kyrgyzstan, 26 November 2017. Cats owners from Kyrgyzstan and Kazakhstan gathered in Bishkek to show their pets. (Photo by Igor Kovalenko/EPA/EFE/Rex Features/Shutterstock)

A visitor feeds a food pellet to a giraffe in the Giraffe Centre in Nairobi, Kenya January 15, 2017. (Photo by Goran Tomasevic/Reuters)

“This grey adult male seal enjoys a good grin while lying on the beach”. (Photo by Michael Hutch/SplashdownDirect via Rex USA)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)