Drinkers celebrated on the last Friday before Christmas in York, United Kingdom on December 18, 2020. Black Eye Friday, affectionately named for its tendency to prompt drink-fuelled punch ups as the Christmas cheer spills over, has been dampened this year by the global coronavirus pandemic shutting bars and banning socialising. (Photo by Nb press ltd)

A sanitation worker fumigates using sodium hypochlorite in an archive room to fight the spread of the coronavirus disease (COVID-19) in the Milimani commercial courts in Nairobi, Kenya, July 17, 2020. (Photo by Baz Ratner/Reuters)

Volunteer of the SICS “Italian rescue dog school”, during a water rescue training session, inside the Averno lake in Pozzuoli. Italy, on October 26, 2024. (Photo by Vincenzo Izzo/Sipa USA)

Zamora, 55, self-employed, poses for a photograph in front of the Cuban and U.S. flags after buying a pineapple in Havana, March 25, 2016. Regarding Obama's historic visit to the island, Zamora said “It's good for the Cubans that he came and re-established relationships between the two countries”. (Photo by Ueslei Marcelino/Reuters)

The love padlocks, called cadenas d’amour, multiplied until there were thousands of love tokens on the bridge, each engraved with a message of love. (Photo by Charles Platiau/Reuters)

The abandoned Moulton and Kyle Funeral Home in Jacksonville, Fla., which is more than 150 years old, was left to rot, with the premises eerily strewn with open caskets, a hearse and embalming chemicals. Much like the corpses that were laid to rest, the remains of this building too are slowly decomposing and decaying. Black mold has engulfed the walls, and chipped tiles from the collapsed ceilings cover many of the floors. (Photo by Abandoned Southeast/Caters News Agency)

A girl reacts while getting a nasal swab sample at a testing and screening facility for the new coronavirus in a hospital in Karachi, Pakistan, Friday, July 17, 2020. (Photo by Fareed Khan/AP Photo)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)