Matador Marco Espinola, who emigrated from the Azores two years ago, challenges a bull during an Azorean “tourada a corda” (bullfight by rope) in Brampton, Ontario August 15, 2015. Bulls in a tourada a corda are held by a rope controlled by a team of men to make sure the animal does not cause injury. Bulls are never killed, in contrast with bullfighting in Spain. The Portuguese population in Canada, numbering 429,000 in the 2011 census, mainly centers around Toronto with immigrants from the nine islands of the mid-Atlantic Azores archipelago. (Photo by Chris Helgren/Reuters)

Toyota driver Rainer Wissmans of Germany drives during the 2nd stage of the Dakar Rally 2015, from Villa Carlos Paz to San Juan January 5, 2015. (Photo by Jean-Paul Pelissier/Reuters)

A high temperature alerts were issued as a record-setting summer heat wave continued to bake most parts of south China. (Reuters)

Kamaz Russian driver Eduard Nikolaev, co- driver Evgeny Yakovlev and mechanic Vladimir Rybakov compete during the 2018 Dakar Rally' s Stage 13 between San Juan and Cordoba in Argentina, on January 19, 2018. (Photo by Franck Fife/AFP Photo)

Poland's Piotr Lisek celebrates after winning in the Men's pole vault during the IAAF Diamond League competition on July 12, 2019 in Monaco. (Photo by Eric Gaillard/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

Projectionist Antonio Feliciano, 75, checks his projector before showing a film in Monforte, Portugal May 16, 2015. Shades of Oscar-winning classic "Cinema Paradiso" run through the life of Feliciano, a sprightly 75-year-old who fears he may be the last of Portugal's travelling film projectionists.After six decades travelling four million km (2.5 million miles) to screen 4,000 films in Portugal's far-flung villages, Feliciano does not plan to retire just yet. But he is resigned to the fact that the Internet, digital TV and distribution monopolies have made his craft obsolete. (Photo by Rafael Marchante/Reuters)

Annual celebration of Dinagyang festival of Iloilo, Philippines. (Photo by Raniel Jose Castañeda/Sony World Photography Awards)