This handout photo taken on August 31, 2023 and provided by the South Korean Defence Ministry shows South Korean soldiers participating in an air assault drill at a training field in Jangseong, as part of the annual Ulchi Freedom Shield joint military drills between South Korea and the United States. (Photo by Handout/South Korean Defence Ministry/AFP Photo)

A female soldier takes part in a training for women at the Tolemaida Military Air Base in Tolemaida, Colombia, on May 16, 2023. The last time the Colombian Army enlisted women in their ranks was in 1993. Now, 30 years on, more than 1,200 women voluntarily joined the military service in the country. (Photo by Raúl Arboleda/AFP Photo)

Migrant workers and their families board an overcrowded passenger train, after government imposed restrictions on public gatherings in attempts to prevent spread of coronavirus disease (COVID-19), in Mumbai, India, March 21, 2020. (Photo by Prashant Waydande/Reuters)

Female Afghan National Police (ANP) officers aim their weapons during a drill at a training centre near the German Bundeswehr army camp Marmal in Mazar-e-Sharif, northern Afghanistan on December 11, 2012. (Photo by Fabrizio Bensch/Reuters/File Photo)

Maddy Ashford and fellow wrestler and trainer Paul Sargeant at a training session at The Lancashire Wrestling Federation in Chorley, UK on October 9, 2024. Maddy Ashford is still at school and is a wrestler taking the ring by storm and has competed in 40 WWE-style competitions in just 10 months. (Photo by William Lailey/South West News Service)

The Christmas Train of Lights on November 27, 2024 on the Dartmouth Steam Railway in Devon, UK, which runs until 30th December 2024, is reflected in the calm water of the River Dart after leaving Kingswear on its return trip to Paignton. The carriages and steam locomotives on the festive service are lit inside and out with coloured lights. (Photo by Graham Hunt/BNPS)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.