Tropical acrobatics by Adrià López Baucells in Manaus, Brazil. An unidentified South American marsupial, although the characteristic black markings on its face indicate it may be a mouse opossum. These small creatures are nocturnal and feed on bugs, fruit and bird eggs. (Photo by Adrià López Baucells/2019 Royal Society of Biology Photography Competition)

“The power of nature”. Magma, ash and gas erupt from Mount Etna in December 2015, rising to a height of several kilometres. Winner: Nature. (Photo by Giuseppe Mario Famiani/SIPA Contest)

Participants celebrate during the “Chupinazo” (start rocket) to mark the kickoff at noon sharp of the San Fermin Festival, in front of the Town Hall of Pamplona, northern Spain, on July 6, 2018. (Photo by Jaime Reina/AFP Photo)

Content Creator Tina Lee poses for pictures during a media preview of Summit at One Vanderbilt in New York, October 1, 2021. The Summit viewing deck is spread across the top four floors on One Vanderbilt in Manhattan, the fourth tallest building in the city. (Photo by Timothy A. Clary/AFP Photo)

Maddy Ashford and fellow wrestler and trainer Paul Sargeant at a training session at The Lancashire Wrestling Federation in Chorley, UK on October 9, 2024. Maddy Ashford is still at school and is a wrestler taking the ring by storm and has competed in 40 WWE-style competitions in just 10 months. (Photo by William Lailey/South West News Service)

The giant inflatable Rubber Duck installation by Dutch artist Florentijn Hofman floats on the Parramatta River, as part of the 2014 Sydney Festival, in Western Sydney, January 10, 2014. The creation is five stories tall and five stories wide and has been seen floating in various cities around the world since 2007. (Photo by Jason Reed/Reuters)

A girl looks with comic disgust at a guy who falls asleep with a bottle of beer at a party; her friend laughs. (Photo by Edward Corbett/Rex Features/Shutterstock)

Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)