Boy rests on bags of recyclable waste at a rubbish dump outside Yemen's Red Sea port city of Houdieda January 19, 2016. (Photo by Abduljabbar Zeyad/Reuters)

A visitor poses inside a three story upside-down family sized house at the Huashan Creative Park in Taipei, Taiwan April 7, 2016. Over 300 square meters of floor space of the upside-down house, filled with home furnishings, was created by a group of Taiwanese architects at a total cost of around US$600,000 and took 2 months to complete, according to the organisers. (Photo by Tyrone Siu/Reuters)

Every once and a while an artistic endeavor is so bold, so courageous and so innovative we are left speechless in its wake. Today, that project is “Pizza in the Wild”. The brainchild of Los Angeles-based photographer Jonpaul Douglass, the Instagram series that is so much more follows unsupervised pizzas – pepperoni pizzas, to be exact – living the L.A. life.

Potters colour earthen lamps at a workshop ahead of the Hindu festival of Diwali in Amritsar October 15, 2014. Earthen lamps are sold in large numbers during Diwali, the annual Hindu festival of lights, as people use them to decorate their homes. (Photo by Munish Sharma/Reuters)

A Santa Claus puppet holding a Christmas tree is pictured against the sun in Berlin November 23, 2014. (Photo by Hannibal Hanschke/Reuters)

Born 1938 in New York, Melvin Sokolsky was a major figure in the revival of fashion photography from the 1960s. He was only 21 when he started working at Harper's Bazaar for which he produced the “Bubble” series of photographs depicting fashion models floating in giant clear plastic bubbles suspended in midair above the Seine river in Paris. Alongside his steady collaboration with Bazaar, he also worked for publications such as Vogue and the New York Times. Photo: “After Delvaux” – “Paris 1963” – Harper's Bazaar “Bubble” Spring Collection. (Photo by Melvin Sokolsky)

American artist Robert Wechsler has realized a series of sculptural cubes made from thousands of pennies titled “The Mendicant“. Cubes achieved by notching and joining pennies in perfect orientation to one another. Joined at perpendicular angles, the coins create a lattice structure allowing tunnel like passages of light from certain angles. As one moves around them, the cubes seem to fluctuate from material to ethereal. The number of pennies increases exponentially with the size of the cube. Pictured here are three cubes differentiated with subtitles indicating the exact quantity used.

Matteo Pugliese was born in Milan in 1969. In 1978 his family moved to Sardinia and lived there for the next 12 years. During this time he developed a strong love for drawing and sculpture and practiced without formal education. After finishing his secondary school studies in classics in Cagliari, he returned to Milan to attend university. In 1995 he was awarded his degree in modern literature at the University of Milan with a graduation thesis on art criticism.