Felice Varini is a Swiss artist who was nominated for the 2000/2001 Marcel Duchamp Prize, known for his geometric perspective-localized paintings in rooms and other spaces, using projector-stencil techniques. According to mathematics professor and art critic Joël Koskas, “A work of Varini is an anti-Mona Lisa”.

The Bricksy series has just been released on the artist’s website with accompanying reference thumbnails of the original Banksy work. As the site says, “Bricksy is an edgy, underground LEGO street artist. He is rumored to have inspired Banksy’s iconic works, or is that the other way around?” Classic images such as Kissing Coppers, Naked Man and Balloon Girl all get a 3D reimagining in LEGO form. Image: Brick Cowboy.

Lindsay Heimbach goes airborne while sledding down a hill on Mt. Lemmon December 27, 2008. (Photo by James Gregg/Arizona Daily Star)

A dancer from the Trisha Brown Dance Company performs during “Roof Piece” above the High Line park June 9, 2011 in New York City. Roof Piece (1971) consists of nine dancers performing improvised movement signals to each other in a chain on various rooftops overlooking the city. This presentation marked the first full performance of the piece since 1973. (Photo by Mario Tama/Getty Images)

Collin Williams (front) and Sarah Putnam of Nevada, protesters affiliated with the Occupy Las Vegas movement, participate in a “zombie walk” on the Las Vegas Strip October 30, 2011 in Las Vegas, Nevada. The demonstrators are protesting what they believe is greed and corruption among banking and business leaders in solidarity with other Occupy movements around the world. (Photo by Ethan Miller/Getty Images)

Japanese artist Hikaru Cho is already well-known for her bizarre and realistic body paintings, but now the Tokyo-based artist has applied her talent to everyday food items as well. In her playful “It’s Not What It Seems” series, she turns common foods into other kinds of food using only acrylic paint and her extraordinary talent.

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)